Modest Musorgsky and Boris Godunov
Myths, Realities, Reconsiderations
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Modest Musorgsky and Boris Godunov by Caryl Emerson
Book DescriptionCaryl Emerson (a literary specialist) and Robert William Oldani (a music historian) take a comprehensive look at the most famous Russian opera, Modest Musorgsky's Boris Godunov. The result is both a historical study of a famous work and an interpretative piece of scholarship. The topics discussed include: the 'Boris Tale' in history; Karamzin's history and Pushkin's drama as literary sources; Musorgsky's innovations as a librettist and as a theorist of the sung Russian word; the strange story of the opera's composition and revision; its first productions at home and abroad; and an in-depth musical analysis. In the process, several often-met errors in Musorgsky scholarship are clarified and corrected. A final chapter speculates on the opera's themes of political murder, guilt and legitimacy - so important to Russian literary and national identity in the nineteenth and twentieth centuries - and the new role the 'Boris plot' and its composer might come to play in more recent phases of Russian cultural life.
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Book DetailsISBN: 9780521361934
(228mm x 152mm x 24mm)
Imprint: Cambridge University Press
Publisher: Cambridge University Press
Publish Date: 10-Mar-1994
Country of Publication: United Kingdom
Books By Author Caryl Emerson
Letter Killers Club, Paperback (February 2012)
The logic of the Letter Killers Club, a secret society of "conceivers" who commit nothing to paper on principle, is strict and uncompromising.
Cambridge Introduction to Russian Literature, Paperback (July 2008)
An engaging overview of the Russian literary tradition, with a glossary and guide to further reading.
Modest Musorgsky and Boris Godunov, Paperback (November 2006)
Caryl Emerson and Robert Oldani take a comprehensive look at the most famous Russian opera, Modest Musorgsky's Boris Godunov.
First Hundred Years of Mikhail Bakhtin, Paperback (March 2000)» View all books by Caryl Emerson
Among Western critics, Mikhail Bakhtin (1895-1975) needs no introduction. His name has been invoked in literary and cultural studies across the ideological spectrum, from old-fashioned humanist to structuralist to postmodernist. This title examines the role of his ideas in the post-Stalinist revival of the Russian literary profession.
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