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Montage by Sam Rohdie
Book DescriptionMontage enters into a dialogue with the cinema, probing and playing with its language of motion and stillness, continuity and discontinuity, constraint and openness, time and duration. Comprised of a series of elegantly-written and intellectually vibrant essays, Sam Rohdie's book carefully expresses his ideas and arguments in a manner free from the complexities of contemporary theory and cultural criticism. As much a book written with the cinema as about it, Montage explores associative and comparative possibilities in the films of directors such as Takeshi Kitano, Jean Renoir, D.W. Griffith, Howard Hawks, Lev Kulsehov, Sergei Eisenstein and Alfred Hitchcock. It offers new and fascinating perspectives on mise en scene, framing, shots, and narrative variation. In combining the sensitive analysis of film forms and structures with an awareness of their historical and artistic relation to other art forms, it also elucidates an appreciation of montage aesthetics that is attentive to the influences of photography, painting and other arts. Montage is a book that will enrich our ways of seeing, understanding, and enjoying the cinema.
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Book DetailsISBN: 9780719070396
(216mm x 138mm x 13mm)
Imprint: Manchester University Press
Publisher: Manchester University Press
Publish Date: 30-Oct-2006
Country of Publication: United Kingdom
Books By Author Sam Rohdie
Film Modernism, Paperback (September 2015)
An original and provocative study. Theoretically lucid and engaging, it will be an essential text for any student of film.
Intersections, Hardback (January 2012)
A penetrating and illuminating series of essays that looks at some of the most distinctive directors in world cinema. Sam Rohdie is one of the most distinguished film scholars currently writing. He moves from the very well known - Hitchcock, Truffaut, Visconti, Welles - to those that he feels need more attention - Painleve, Vigo and Franju.
Cinema - Italy, Hardback (April 2010)» View all books by Sam Rohdie
A journey to the Italian cinema in the company of its major film makers and theorists. Rossellini, Visconti, Pasolini and Zavattini are given a new focus that overturns the usual views and perspectives. It offers new and exciting interpretations.
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Author Biography - Sam Rohdie
Sam Rohdie is Professor of Cinema Studies in the Department of Film and Digital Media at the University of Central Florida
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