Theories of Accidental Inflections in Vocal Polyphony from Marchetto da Padova to Gioseffo Zarlino
By (author) Karol Berger
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Musica Ficta by Karol Berger
Book DescriptionThe main purpose of this book is to clarify the meaning and use of the conventions governing the practice of implied accidentals in vocal polyphony from the early fourteenth to the mid-sixteenth century - a problem which has fascinated musicologists for over a hundred years now. Musicians of the late Middle Ages and Renaissance did not think it was necessary to write down all accidentals; since some accidental inflections were implied by the musical context, performers made them whether or not they were notated. This practice imposes on modern readers of early music sources, the task of supplying all such conventionally implied accidental inflections and the successful achievement of this task depends on a knowledge and understanding of the conventions involved. Since the practice of implied accidentals can be understood only in a wider context of compositional, notational, and performing practice of the period, the book attempts to throw light on some aspects of these practices as well.
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Book DetailsISBN: 9780521543385
(228mm x 152mm x 16mm)
Imprint: Cambridge University Press
Publisher: Cambridge University Press
Publish Date: 5-Jan-2004
Country of Publication: United Kingdom
Books By Author Karol Berger
Beyond Reason, Hardback (December 2016)
Relates Wagner's works to the philosophical and cultural ideas of his time, centering on the four music dramas he created in the second half of his career: Der Ring des Nibelungen, Tristan und Isolde, Die Meistersinger von Nurnberg, and Parsifal.
Bach's Cycle, Mozart's Arrow, Paperback (August 2008)
Presents musical case studies of Monteverdi, Bach, Mozart, and Beethoven with a survey of philosophical, theological, and literary trends that influenced the artists during the period.
Theory of Art, Paperback (November 2002)» View all books by Karol Berger
Addressed to anyone with a serious interest in the arts, this philosophical theory of art has three main objectives: to shift the focus of aesthetics from the question "What is art?"; to describe the social and historical situation of art today; and to combine aesthetics with poetics and hermeneutics.
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