Photography and Mexico's Image Environment
By (author) Roberto Tejada
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National Camera by Roberto Tejada
Book DescriptionIn National Camera, Roberto Tejada offers a comprehensive study of Mexican photography from the early twentieth century to today, demonstrating how images have shaped identities in Mexico, the United States, and in the borderlands where the two nations and cultures intersect-a place Tejada calls the shared image environment. The "problem" of photography in Mexico, Tejada shows, reveals cross-cultural episodes that are rife with contradictions, especially in the complex terms of cultural and sexual difference. Analyzing such topics as territory, sexuality, and social and ethnic relations in image making, Tejada delves into the work of key figures including Manuel Alvarez Bravo, Edward Weston, Tina Modotti, Marius de Zayas, and Julien Levy, as well as the Agustin Victor Casasola Archive, the Boystown photographs, and contemporary Mexican and Latina photo-based artists. From the Mexican Revolution of 1910-1920 to the U.S.-Mexico borderlands of today, Tejada traces the connective thread that photography has provided between Mexican and U.S. American intellectual and cultural production and, in doing so, defines both nations."
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Book DetailsISBN: 9780816660827
(254mm x 178mm x 18mm)
Imprint: University of Minnesota Press
Publisher: University of Minnesota Press
Publish Date: 20-Feb-2009
Country of Publication: United States
Books By Author Roberto Tejada
Modern Art in Africa, Asia and Latin America, Hardback (September 2012)View all books by Roberto Tejada
Shedding fresh light on modern art beyond the West, this text introduces readers to artists, art movements, debates and theoretical positions of the modern era that continue to shape contemporary art worldwide. Area histories of modern art are repositioned and interconnected towards a global art historiography.
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Author Biography - Roberto Tejada
Roberto Tejada is an art historian, curator, and associate professor of art and media history, theory, and criticism in the Visual Arts Department at the University of California, San Diego. A widely published poet and literary translator, he is the author of Mirrors for Gold, as well as the founder and coeditor of Mandorla: New Writing from the Americas. His monograph on the artist Celia Alvarez Munoz for the series A Ver: Revisioning Art History is also with the University of Minnesota Press."
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