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Next Season by Michael Blakemore
Book Description(Applause Books). Noted director Michael Blakemore is renowned for such Broadway successes as Joe Egg, Noises Off and City of Angels . In the introduction, Simon Callow says of Blakemore's book, "There have been remarkable novels of the theatre, but no other book has so truly depicted the creative anarchic excitement of acting. Next Season is the finest fictional celebration of the passionate craft of the actor ... about the demands and rewards of acting, what it takes from you, what it gives you back. Acting as work, work as possion!" "An outstanding theatre novel ... extremely readable and informative." The London Times
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Book DetailsISBN: 9781557832238
(215mm x 140mm x 20mm)
Imprint: Applause Theatre Book Publishers
Publisher: Hal Leonard Corporation
Publish Date: 29-Nov-1996
Country of Publication: United States
Books By Author Michael Blakemore
Stage Blood, Paperback (September 2014)
In 1971, Michael Blakemore joined the National Theatre as Associate Director under Laurence Olivier. His tenure began to unravel and, behind his back, Peter Hall was appointed to replace him in 1973. This title tells the story of the events that led to his dramatic exit in 1976.
Arguments with England, Paperback (September 2005)» View all books by Michael Blakemore
"Arguments With England" recalls Michael Blakemore colourful escapades at drama school, offers candid observations about life and art, and evokes his life as an actor before directorial success with "A Day in the Death of Joe Egg" propelled him to the National Theatre and the start of a glittering career.
US Kirkus Review » Written by "one of England's most successful young directors, himself an ex-actor" (courtesy: publisher's billing) this is one of those split level novels. On the one hand you have an entire panorama of a young actor's experience as an up-and-comer in British Repertory, recorded with what one would judge to be deadly accuracy. You don't doubt for a minute the hero's inner action as he ??ls from frustration and self-doubt to triumph and back again, or the moments. . . awesome, petty or sour that are recorded here as the plays take shape. Unfortunately, off-stage the story is quite a different thing, with a soap-operaish mesh of romantic interludes. Briefly, twenty-nine year old Samuel Beresford abandons London and girlfriend of long standing after a relatively attractive offer from a prestige summer repertory company. Immediately he finds his small but substantial part in danger of being cut. Fate and talent intervene...he earns recognition and in the meantime we get some marvelous snaps of old (Oliver) vs. new (say, Tom Courtney) acting styles in conjunction and in conflict. In his personal life he becomes involved with two girls. . . stereotypical sex and potential sweetheart. Part of this interferes (politics) and he is not asked back for the Next Season. Determined to give up the theatre he finally relents and plunges on to destiny with high hopes and old girlfriend in hand. The old dilemma; how can a script be so good and yet so bad? (Kirkus Reviews)
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