Oh Boy! by Freya Jarman-Ivens
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Oh Boy!
By Freya Jarman-Ivens

Oh Boy!

Masculinities and Popular Music

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Format: Paperback

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Oh Boy! by Freya Jarman-Ivens

Book Description

From Muddy Waters to Mick Jagger, Elvis to Freddie Mercury, Jeff Buckley to Justin Timberlake, masculinity in popular music has been an issue explored by performers, critics, and audiences. From the dominance of the blues singer over his "woman" to the sensitive singer/songwriter, popular music artists have adopted various gendered personae in a search for new forms of expression. Sometimes these roles shift as the singer ages, attitudes change, or new challenges on the pop scene arise; other times, the persona hardens into a shell-like mask that the performer struggles to escape. Oh Boy! Masculinities and Popular Music is the first serious study of how forms of masculinity are negotiated, constructed, represented and addressed across a range of popular music texts and practices. Written by a group of internationally recognized popular music scholars-including Sheila Whiteley, Richard Middleton, and Judith Halberstam-these essays study the concept of masculinity in performance and appearance, and how both male and female artists have engaged with notions of masculinity in popular music.

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Book Details

ISBN: 9780415978217
ISBN-10: 0415978211
Format: Paperback
(229mm x 152mm x 15mm)
Pages: 288
Imprint: Routledge
Publisher: Taylor & Francis Ltd
Publish Date: 6-Jun-2007
Country of Publication: United Kingdom

Other Editions...


Books By Author Freya Jarman-Ivens

Queer Voices by Freya Jarman-Ivens Queer Voices, Hardback (May 2011)

This book argues that there are some important implications of the role the voice plays in popular music when thinking about processes of identification. The central thesis is that the voice in popular music is potentially uncanny (Freud's unheimlich), and that this may invite or guard against identification by the listener.

Oh Boy! by Freya Jarman-Ivens Oh Boy!, Hardback (June 2007)

From Muddy Waters to Mick Jagger, Elvis to Freddie Mercury, and from Jeff Buckley to Justin Timberlake, masculinity in popular music has been an issue explored by performers, critics, and audiences. This is a study of how forms of masculinity are negotiated, constructed, represented and addressed in popular music texts and practices.

Madonna's Drowned Worlds by Freya Jarman-Ivens Madonna's Drowned Worlds, Hardback (July 2004)

Offers new perspectives on Madonna's work to date. An international array of scholars portrays her popularisation of the notion that identity is not fixed & can be continuously rearranged & revamped. Explores the themes of gender, sexuality, ethnicity and celebrity comsumption through the lens of Madonna's songs, videos & shows.

» View all books by Freya Jarman-Ivens

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Author Biography - Freya Jarman-Ivens

Freya Jarman-Ivens is a lecturer in music at the University of Liverpool. She received her PhD from the University of Newcastle in 2006, and her thesis explored ways in whcih identity is fragmented in late twentieth-century popular music, especially through the use of the voice. Her research interests include queer theory and performativity, psychoanalytic theory, and discourses of technology and musical production. Dr. Jarman-Ivens works on a wide range of musical material, including easy listening, alternative rock, and late nineteenth- and early twentieth-century opera. Her teaching ranges from popular music analysis to the musical construction of character in the Austro-German operatic canon.

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Recent books by Freya Jarman-Ivens close
Queer Voices by Freya Jarman-Ivens
Oh Boy! by Freya Jarman-Ivens
Madonna's Drowned Worlds by Freya Jarman-Ivens
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