Oh, What a Paradise it Seems
By (author) John Cheever
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Oh, What a Paradise it Seems by John Cheever
Book DescriptionIn an idyllic American village, elderly romantic Lemuel Sears still has it in him to fall wildly in love with strangers of both sexes. But Sears' paradise is under threat; the pond he loves is being fouled by unscrupulous polluters involved in organised crime. Can Sears thwart the monstrous aspects of late-twentieth-century civilisation and save his beloved village? Cheever's wry fable of modern American is interlaced with musings on everything from the etiquette of supermarket queues to the evolution of the ice-skate.
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Book DetailsISBN: 9780099411512
(198mm x 129mm x 7mm)
Publisher: Vintage Publishing
Publish Date: 15-Sep-1994
Country of Publication: United Kingdom
Books By Author John Cheever
Falconer, Paperback (December 2014)
Ezekiel Farragut is a college professor, a drug-addict and a murderer. Locked in Falconer State Penitentiary, he struggles through tormenting visits from his wife, the burden of memory and guilt, and the brutal monotony of his surroundings to retain his humanity, finding the possibility of redemption through an affair with a fellow prisoner.
John Cheever, Hardback (October 2014)
This landmark volume combines the entire Pulitzer Prize-winning collection, "The Stories of John Cheever," with seven selections from Cheever's first book, "The Way Some People Live."
Journals, Paperback (December 2009)
Presents John Cheever's journals that reveal the inner life of this remarkable writer and the contradictions that drove him.
Fall River and Other Uncollected Stories, Paperback (November 2009)» View all books by John Cheever
A collection of 13 early stories from the 1930s and 1940s.
US Kirkus Review » Question: when are three or four John Cheever stories less welcome than one? Answer: when, as here, those three or four stories are fragmented and intertwined into a novella - an itchy, neither-here-nor-there form which, unlike the short story, doesn't frame the delicate late-Cheever melange (nostalgia, satire, fable, spirituality) with structural sureness. The principal story-line, recalling "The World of Apples," offers an elderly gentleman in love - or is it lust? Lemuel Sears, a twice-widowed computer-industry executive, spies beautiful real-estate woman Renee in a Manhattan bank, is swamped with reborn Eros ("She could have been the winsome girl on the oleomargarine package or the Oriental dancer on his father's cigar box who used to stir his little prick when he was about nine"), and is soon her insatiable lover; however, when Renee - an elusive sort dedicated to New School-style self-improvement - proves to be cruelly fickle, Sears promptly finds himself in a low-key, tender affair with. . . Renee's middle-aged doorman. (His "next stop, of course, was a psychiatrist.") Is this love or lewdness? That's a familiar Cheever theme. And the intermingled subplots here involve another Cheever standby: clean, pure water as a symbol of the old verities, of love's cleansing force. Sears, you see, is personally funding an investigation into the polluting of Beasley's Pond up in Connecticut (he loves to skate there), so there is a series of black-comic suburban vignettes tenuously linked to the matter of the Pond: the story of the Italian barber who, poverty-stricken, is hired by the Mafia-like "organization" to oversee the corrupt-government dumping at the Pond; the story of the barber's neighbor Betsy Logan - who gets into a brawl with the barber's pushy wife at the Musak-ridden supermarket, who misplaces her baby on the highway, who finally uses desperate measures (fighting poison with poison) to stop the pollution at Beasley's Pond. And we're explicitly told how all the strands here should connect up: "The clearness of Beasley's Pond seemed to have scoured [ Sears'] consciousness of the belief that his own lewdness was a profound contamination." Yet, despite some elegant stitchwork, Cheever never really overcomes the feeling that these are short-story fragments artificially brought together in an uneasy, uncharacteristically disjointed narrative; and, as a result, the risky maneuvers which are often magical in a seamless Cheever story - sudden jolts of black-comedy, wildly implausible twists of Fate - more often fall flat here. A failure, then? Perhaps. But, like Graham Greene's unsatisfying novella/fable Doctor Fischer of Geneva, this offers distinctive rewards along the way: a handful of moodily haunting images, a few choice ironies, much gorgeous prose - including an inspired, freewheeling sequence in which Sears explains to himself why being rejected by Renee is like being transported to a village in the Balkans. And, however flawed the overall composition here, Cheever readers will probably feel, quite rightly, that such genuine morsels of joyful art are too precious to pass up. (Kirkus Reviews)
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Author Biography - John Cheever
John Cheever was born in Quincy, Massachusetts, in 1912, and he went to school at Thayer Academy in South Braintree. He is the author of seven collections of stories and five novels. His first novel, The Wapshot Chronicle, won the 1958 National Book Award. In 1965 he received the Howells Medal for Fiction from the National Academy of Arts and Letters and in 1978 he won the National Book Critics Circle Award and the Pulitzer prize. Shortly before his death in 1982 he was awarded the National Medal for Literature.
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