Opera and the Enlightenment
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Opera and the Enlightenment by Thomas Bauman
Book DescriptionThis is a collection of essays to explore the wide dimensions and influence of eighteenth-century opera. In a series of articles by leading scholars in the field, a range of perspectives are offered on the important figures of the day, including Handel, Vivaldi, Gluck, Rameau and Mozart, and on the fundamental problems of creation, revision, borrowing, influence and intertextuality. Other essays reinterpret librettos of serious opera in the French and Italian theatre during the later eighteenth century. Sister arts, notably painting, the novel, ballet and the spoken stage, are also examined in their relationship to the development of opera. Bracketing the collection are studies of the early pastoral opera and of Prokofiev, which expand our historical view of operatic life during the Age of Reason. The book contains numerous rare illustrations, and will be of interest to scholars and students of opera and theatre history.
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Book DetailsISBN: 9780521034777
(228mm x 152mm x 19mm)
Imprint: Cambridge University Press
Publisher: Cambridge University Press
Publish Date: 14-Dec-2006
Country of Publication: United Kingdom
Books By Author Thomas Bauman
Pekin, Hardback (April 2014)
Focusing on institutional history, this book explores the Pekin Theater's philosophy of hiring only African American staff, its embrace of multi-racial upper class audiences, and its ready assumption of roles as diverse as community center, social club, and fundraising instrument.
North German Opera in the Age of Goethe, Paperback (June 2009)
This book is the first study of the development of German opera in northern Germany.
Opera and the Enlightenment, Hardback (April 1995)
This collection of essays explores the wide dimensions and influence of eighteenth-century opera.
Mozart's Operas, Paperback (October 1992)» View all books by Thomas Bauman
Brings the author's knowledge of social history, theater, and art to a study of Mozart's operas. This title includes an essay on "Idomeneo" (1781), the work that continued to inspire and sustain Mozart through his next, and final, six operas. It discusses the spirituality of Mozart's last two operas, "Die Zauberflote" and "La Clemenza di Tito".
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