The Philosophy of Film and Motion Pictures
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Philosophy of Film and Motion Pictures by Jinhee Choi
Book DescriptionDesigned for classroom use, this authoritative anthology presents key selections from the best contemporary work in philosophy of film. * The featured essays have been specially chosen for their clarity, philosophical depth, and consonance with the current move towards cognitive film theory* Eight sections with introductions cover topics such as the nature of film, film as art, documentary cinema, narration and emotion in film, film criticism, and film's relation to knowledge and morality* Issues addressed include the objectivity of documentary films, fear of movie monsters, and moral questions surrounding the viewing of pornography* Replete with examples and discussion of moving pictures throughout
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Book DetailsISBN: 9781405120265
(258mm x 187mm x 30mm)
Imprint: Wiley-Blackwell (an imprint of John Wiley & Sons Ltd)
Publisher: John Wiley and Sons Ltd
Publish Date: 13-Jul-2005
Country of Publication: United Kingdom
Books By Author Jinhee Choi
South Korean Film Renaissance, Paperback (February 2010)
How a homegrown cinema took on Hollywood and dazzled Cannes
Horror to the Extreme, Paperback (June 2009)
Compares production and consumption of Asian horror cinemas in different national contexts and their multidirectional dialogues with Hollywood and neighboring Asian cultures. This book includes essays that highlight common themes including technology, digital media, and adolescent audience sensibilities in many Asian horror films.
Philosophy of Film and Motion Pictures, Paperback (July 2005)» View all books by Jinhee Choi
Designed for classroom use, this authoritative anthology presents key selections from the best contemporary work in philosophy of film. .
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Author Biography - Jinhee Choi
Noel Carroll is the Mellon Professor of the Humanities at Temple University and the author of Beyond Aesthetics (2001), A Philosophy of Mass Art (1999), and Interpreting the Moving Image (1998). Jinhee Choi is Assistant Professor of Film Studies at Carleton University. Her work has appeared in the Journal of Aesthetics and Art Criticism and The British Journal of Aesthetics.
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