The Philosophy of Motion Pictures
By (author) Noel Carroll
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Philosophy of Motion Pictures by Noel Carroll
Book DescriptionPhilosophy of Motion Pictures is a first-of-its-kind, bottom-up introduction to this bourgeoning field of study. Topics include film as art, medium specificity, defining motion pictures, representation, editing, narrative, emotion and evaluation. * Clearly written and supported with a wealth of examples * Explores characterizations of key elements of motion pictures -the shot, the sequence, the erotetic narrative, and its modes of affective address
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Book DetailsISBN: 9781405120241
(231mm x 159mm x 23mm)
Imprint: Wiley-Blackwell (an imprint of John Wiley & Sons Ltd)
Publisher: John Wiley and Sons Ltd
Publish Date: 13-Dec-2007
Country of Publication: United Kingdom
Books By Author Noel Carroll
Humour: A Very Short Introduction, Paperback (January 2014)
Humour is a universal feature of human life. In this Very Short Introduction Noel Carroll considers the nature and value of humour, from its leading theories and its relation to emotion and cognition, to ethical questions of its morality and its significance in shaping society.
Minerva's Night Out, Paperback (October 2013)
Minerva s Night Out presents series of essays by noted philosopher and motion picture and media theorist Noel Carroll that explore issues at the intersection of philosophy, motion pictures, and popular culture.
Art in Three Dimensions, Paperback (July 2012)» View all books by Noel Carroll
Art in Three Dimensions is a collection of essays by a leading figure in the philosophy of art. The animating idea behind Carroll's work is that philosophers of art should look beyond aesthetics and refocus their attention on the ways in which art enters the life of culture and influences the moral and emotional experiences of audience members.
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Author Biography - Noel Carroll
Noel Carroll is the Mellon Professor of the Humanities at Temple University and the author of Beyond Aesthetics (2001), A Philosophy of Mass Art (1999), and Interpreting the Moving Image (1998), and is editor (with Jinhee Choi) of Philosophy of Film and Motion Pictures: An Anthology (Blackwell, 2005).
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