Picture and a Criticism of Life
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Picture and a Criticism of Life by Theodore Dreiser
Book DescriptionDreiser's captivating portraits of turn-of-the-century America's famous figures Before coming to national attention for his novel Sister Carrie, Theodore Dreiser worked for nearly a decade as a magazine editor and freelance writer. Now in paperback, Art, Music, and Literature, 1897-1902 collects a rich selection of Dreiser's brief, colorful articles and interviews with American artists, musicians, and writers during this period. His profiles and interviews include such notables as Alfred Stieglitz, William Dean Howells, and legendary impresario Major James Burton Pond, as well as numerous women artists, novelists, and musicians. The volume is liberally seasoned with period illustrations reproduced from the original publications, and Yoshinobu Hakutani's notes provide biographical details about Dreiser's various subjects.
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Book DetailsISBN: 9780252031069
(243mm x 162mm x 30mm)
Imprint: University of Illinois Press
Publisher: University of Illinois Press
Publish Date: 8-Feb-2008
Country of Publication: United States
Books By Author Theodore Dreiser
Sister Carrie, Paperback (March 2013)
A series that offers quality editions of important works of literature to the student and the general reader, each featuring new scholarship and pages of carefully crafted extras. It pulls together a constellation of influences; biographical, historical and literary, to enrich each reader's understanding of these enduring works.
Political Writings, Hardback (January 2011)
The first published collection of the esteemed novelist's prolific political works
American Tragedy, Paperback (August 2010)
A tremendous bestseller when it was published in 1925, "An American Tragedy" is the culmination of Theodore Dreiser's elementally powerful fictional art. Revised reissue.
Financier, Hardback (May 2010)» View all books by Theodore Dreiser
First published in 1912, Theodore Dreiser's third novel, "The Financier", captures the ruthlessness and sparkle of the Gilded Age alongside the charismatic amorality of the power brokers and bankers of the mid-nineteenth century. This volume is an edition of "The Financier" to draw on the uncorrected page proofs of the original 1912 version.
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