Pliny's Catalogue of Culture by Sorcha Carey
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Pliny's Catalogue of Culture
By Sorcha Carey

Pliny's Catalogue of Culture

Art and Empire in the Natural History

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Format: Hardback

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Pliny's Catalogue of Culture by Sorcha Carey

Book Description

One of the earliest surviving examples of 'art history', Pliny the Elder's 'chapters on art' form part of his encyclopaedic Natural History, completed shortly before its author died during the eruption of Vesuvius in AD 79. This important new work argues that the Natural History offers a sophisticated account of the world as empire, in which art as much as geography can be used to expound a Roman imperial agenda. Reuniting the 'chapters on art' with the rest of the Natural History, Sorcha Carey considers how the medium of the 'encyclopaedia' affects Pliny's presentation of art, and reveals how art is used to explore themes important to the work as a whole. Throughout, the author demonstrates that Pliny's 'chapters on art' are a profoundly Roman creation, offering an important insight into responses to art and culture under the early Roman empire.

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Book Details

ISBN: 9780199259137
ISBN-10: 0199259135
Format: Hardback
(254mm x 195mm x 17mm)
Pages: 222
Imprint: Oxford University Press
Publisher: Oxford University Press
Publish Date: 18-Dec-2003
Country of Publication: United Kingdom

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Books By Author Sorcha Carey

Pliny's Catalogue of Culture by Sorcha Carey Pliny's Catalogue of Culture, Paperback (November 2006)

One of the earliest surviving examples of 'art history', Pliny the Elder's 'chapters on art' form part of his encyclopaedic Natural History. This important study reassesses Pliny's discussion of art, revealing how art is used to expound the Roman imperial agenda which dominates the work as a whole.

» View all books by Sorcha Carey

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Author Biography - Sorcha Carey

International Projects Co-ordinator at Liverpool Biennial, Sorcha Carey curates temporary artists' projects for the public realm. She previously held post-doctoral fellowships in the history of Classical Art at the Courtauld Institute of Art, and the University of Cambridge.

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