Poetry of the Revolution
Marx, Manifestos, and the Avant-Gardes
By (author) Martin Puchner
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Poetry of the Revolution by Martin Puchner
Book DescriptionPoetry of the Revolution tells the story of political and artistic upheavals through the manifestos of the nineteenth and twentieth centuries. Ranging from the Communist Manifesto to the manifestos of the 1960s and beyond, it highlights the varied alliances and rivalries between socialism and repeated waves of avant-garde art. Martin Puchner argues that the manifesto--what Marx called the "poetry" of the revolution--was the genre through which modern culture articulated its revolutionary ambitions and desires. When it intruded into the sphere of art, the manifesto created an art in its own image: shrill and aggressive, political and polemical. The result was "manifesto art"--combinations of manifesto and art that fundamentally transformed the artistic landscape of the twentieth century. Central to modern politics and art, the manifesto also measures the geography of modernity. The translations, editions, and adaptations of such texts as the Communist Manifesto and the Futurist Manifesto registered and advanced the spread of revolutionary modernity and of avant-garde movements across Europe and to the Americas. The rapid diffusion of these manifestos was made "possible by networks--such as the successive socialist internationals and international avant-garde movements--that connected Santiago and Zurich, Moscow and New York, London and Mexico City. Poetry of the Revolution thus provides the point of departure for a truly global analysis of modernism and modernity.
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Book DetailsISBN: 9780691122601
(229mm x 152mm x 18mm)
Imprint: Princeton University Press
Publisher: Princeton University Press
Publish Date: 21-Nov-2005
Country of Publication: United States
Books By Author Martin Puchner
Drama of Ideas, Paperback (January 2014)
Most philosophy has rejected the theater, denouncing it as a place of illusion or moral decay; the theater in turn has rejected philosophy, insisting that drama deals in actions, not ideas. Challenging both views, The Drama of Ideas shows that theater and philosophy have been crucially intertwined from the start.
Stage Fright, Paperback (November 2011)
While offering an alternative history of modernist theater and literature, Puchner provides a new account of the contradictory forces within modernism.
Against Theatre, Hardback (April 2006)» View all books by Martin Puchner
Shows that modernist theatre, understood sometimes as a medium, sometimes as trope or idea, reconfigures the relationships between 'actors' and 'audiences' and subjects each and every aspect of theatrical representation to question from a variety of perspectives, including aesthetic, political, legal and technical ones.
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Author Biography - Martin Puchner
Martin Puchner, is Associate Professor of English and Comparative Literature at Columbia University and author of "Stage Fright: Modernism, Anti-Theatricality, and Drama". He is coeditor of "Against Theatre: Creative Destructions on the Modernist Stage" (2006), and "The Norton Anthology of Drama" (forthcoming).
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