By (author) Lucy R. Lippard
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Pop Art by Lucy R. Lippard
Book DescriptionPop Art embodied the spirit of the 1960s. Despite its carnival aspects, its orgiastic color and giant scale, it was based on a tough, no-nonsense, no-refinement standard appropriate to its time. Here several critics, each involved in Pop Art, but with different backgrounds, vividly bring the movement to life. Lucy Lippard examines Pop's precursor and related styles, ranging from folk art, Surrealism and Dada, to Assemblage, Rauschenberg and Jasper Johns. Lawrence Alloway contributes a chapter on the development of pop in England; Nancy Marmer considers Californian pop; Nicolas Calas, a member of the Surrealist movement in the 1930s and 40s assesses Pop icons. 187 illus., 18 in color.
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Book DetailsISBN: 9780500200520
(210mm x 149mm x 15mm)
Imprint: Thames & Hudson Ltd
Publisher: Thames & Hudson Ltd
Publish Date: 23-Jan-1967
Country of Publication: United Kingdom
Books By Author Lucy R. Lippard
Nancy Holt, Paperback (October 2015)
Since the late 1960s, Holt's wide-ranging production has included Land art particularly the monumental Sun Tunnels as well as projects in sculpture, installation, photography, film, and video. This book deals with her life and work.
Time & Time Again, Hardback (May 2015)
Historic photographs of Chaco Canyon from the late nineteenth century to the 1970s are juxtaposed with contemporary "rephotographs."
David Wojnarowicz, Hardback (February 2015)
David Wojnarowiczs use of photography, at times in conjunction with text and painting, was extraordinary, as was his unprecedented way of addressing the AIDS crisis and issues of censorship, homophobia, and narrative. This book address Wojnarowiczs profound legacy: the relentless tugs, allegiances, censorship, and ethical issues.
Lines, Paperback (July 2014)» View all books by Lucy R. Lippard
Edward Ranney (b 1942) is one of the most distinguished photographers of the Peruvian landscape. In 1985 he began photographing the Nazca lines, a series of monumental geoglyphs that stretch across an arid plateau in southern Peru. This book includes an essay that situates his work within the context of landscape photography and contemporary art.
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