Politics and Performance, East and South
By (author) Loren Kruger
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Post-Imperial Brecht by Loren Kruger
Book DescriptionPost-Imperial Brecht challenges prevailing views of Brecht's theatre and politics. Most political theatre critics place Brecht between West and East in the Cold War, and a few have recently explored Brecht's impact as a Northern writer on the global South. Loren Kruger is the first to argue that Brecht's impact as a political dramatist, director and theoretical writer makes full sense only when seen in a post-imperial framework that links the East/West axis between US capitalism and Soviet communism with the North/South axis of postcolonial resistance to imperialism. This framework highlights Brecht's arguments with theorists like Benjamin, Bloch, and Lukacs. It also shows surprising connections between socialist East Germany, where Brecht's 1950s projects impressed the emerging Heiner Muller, and apartheid-era South Africa, where his work appeared on the apartheid as well as anti-apartheid stage.
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Book DetailsISBN: 9780521036573
(228mm x 152mm x 24mm)
Imprint: Cambridge University Press
Publisher: Cambridge University Press
Publish Date: 14-May-2007
Country of Publication: United Kingdom
Books By Author Loren Kruger
Imagining the Edgy City, Hardback (December 2013)
Drawing on over fifty years of writing, performance, film, architecture, photography, and culture more broadly, Imagining the Edgy City offers a compelling interdisciplinary study of South Africa's largest city.
Drama of South Africa, Hardback (June 1999)
Chronicles the development of dramatic writing and performance from the time South Africa was established to post-apartheid. Investigates the impact of sketches and manifestos, and the oral preservation of scripts that could not be written.
Theatre at the Crossroads of Culture, Paperback (December 1991)» View all books by Loren Kruger
An examination of the political and aesthetic consequences of culture meeting at the crossroads of theatre, which looks in depth at such works as Brook's "Mahabharata", Cixous/Mnouchkine's "Indiande" and Barba's "Faust".
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Author Biography - Loren Kruger
Loren Kruger is a graduate of the University of Cape Town, South Africa, and Cornell University, and teaches the history and theory of drama and other cultural forms at the University of Chicago. She is the author of The National Stage (1992) and The Drama of South Africa (1999), and the editor of Lights and Shadows: The Autobiography of Leontine Sagan (1996), and of South African special issues of Theatre Journal and Theatre Research International.
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