Proust in the Power of Photography
2nd annotated edition
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Proust in the Power of Photography by Gilberte Brassai
Book DescriptionOne of the most original and memorable photographers of the 20th century, Brassai was also a journalist, sculptor and writer. He took great pride in his writing, and he loved literature and language - French most of all. When he arrived in Paris in 1924, Brassai began teaching himself French by reading Proust. Captured by the sensuality and visual strategies of Proust's writing, Brassai soon became convinced that he had discovered a kindred spirit. Brassai wrote: "In his battle against Time, that enemy of our precarious existence, ever on the offensive though never openly so, it was in photography, also born out of an age-old longing to halt the moment, to wrest it from the flux of duration in order to "fix" it forever in a semblance of eternity, that Proust found his best ally". He quoted Proust in his own writing, and from the annotated books in his library, we know that he spent a lifetime studying and dissecting Proust's prose, often line by line. Drawing on his own experience as a photographer and author, Brassai discovers a neglected aspect of Proust's interests, offering us a fascinating study of the role of photography both in Proust's oeuvre and in early 20th-century culture. Brassai show us how Proust was excessively interested in possessing portraits of his acquaintances and how the process by which he remembered and wrote was quite similar to the ways on which photographs register and reveal life's images. This book - translated by Richard Howard - features previously obscure photographs from Brassai's High Society series and offers a rare glimpse into two of France's most fascinating artistic minds.
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Book DetailsISBN: 9780226071442
(196mm x 160mm x 17mm)
Imprint: University of Chicago Press
Publisher: The University of Chicago Press
Publish Date: 5-Nov-2001
Country of Publication: United States
Books By Author Gilberte Brassai
Brassai: Paris, Hardback (November 2013)
Hungarian-born photographer Brassai dedicated more than 50 years of his artistic creation to capturing his adoptive city in all its facets. In an interview shortly before his death in 1984, this book explains how Paris had served as an infinite source of inspiration and had reined as the unifying theme that characterized each phrase of his work.
In the Face of History, Hardback (October 2006)
Presents a collection of works by some of the greatest European photographers of the twentieth century. This book contains images of hope and despair that capture some of the key events in the continent's history and illuminate the currents of political and social change that shape and are shaped by individual lives.
Henry Miller, Happy Rock, Hardback (December 2002)
Over the course of a number of warm, intimate conversations, Brassai and Miller, friends for many years, discuss art, literature, Paris, the lives and works of many others in their circle, including Lawrence Durrell, Henri Matisse, Salvador Dali and Paul Klee among others.
Brassai: Graffiti, Hardback (April 2002)» View all books by Gilberte Brassai
Brassai became interested in graffiti in the 1930s. It became a lifelong obsession, he continued to photograph graffiti and publish the photographs with his commentary until his death. One of Brassai's most important works, Graffiti presents the texts and photographs the photographer devoted to this 'art of the street'.
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Author Biography - Gilberte Brassai
Brassai (born Gyula Halasz, 1899-1984) was a photographer, journalist, and author of photographic monographs and literary works, including "Letters to My Parents" and "Conversations with Picasso, " both published by the University of Chicago Press. Richard Howard, a professor at the School of the Arts at Columbia University, is an award-winning poet and translator. His translations include books by Gide, Cocteau, Giraudoux, De Beauvoir, Barthes, Cioran, and Proust, and Baudelaire's "Fleurs du Mal, " for which he received the American Book Award."
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