The Provincetown Players and the Culture of Modernity
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Provincetown Players and the Culture of Modernity by Brenda Murphy
Book DescriptionThe Provincetown Players was a major cultural institution in Greenwich Village from 1916 to 1922, when American Modernism was conceived and developed. This study considers the group's vital role, and its wider significance in twentieth-century American culture. Describing the varied and often contentious response to modernity among the Players, Murphy reveals the central contribution of the group of poets around Alfred Kreymborg's Others magazine, including William Carlos Williams, Wallace Stevens, Mina Loy and Djuna Barnes, and such modernist artists as Marguerite and William Zorach, Charles Demuth and Bror Nordfeldt, to the Players' developing modernist aesthetics. The impact of their modernist art and ideas on such central Provincetown figures as Eugene O'Neill, Susan Glaspell, and Edna St Vincent Millay and a second generation of artists, such as e. e. cummings and Edmund Wilson, who wrote plays for the Provincetown Playhouse, is evident in Murphy's close analysis of over thirty plays.
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Book DetailsISBN: 9780521838528
(228mm x 152mm x 21mm)
Imprint: Cambridge University Press
Publisher: Cambridge University Press
Publish Date: 1-Dec-2005
Country of Publication: United Kingdom
Books By Author Brenda Murphy
Theatre of Tennessee Williams, Paperback (January 2014)» View all books by Brenda Murphy
The Theatre of Tennessee Williams provides a stimulating analysis of the work of this giant of twentieth century American theatre whose work remains central to curriculums and theatre repertoires. It combines an analysis of all of his work by American scholar Brenda Murphy with interviews and a number of criticial essays.
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Author Biography - Brenda Murphy
Brenda Murphy is Professor of English at the University of Connecticut. She is the author of O'Neill: Long Day's Journey into Night (2001), Congressional Theatre: Dramatizing McCarthyism on Stage, Film and Television (1999), Miller: Death of a Salesman (1995), Tennessee WIlliams and Elia Kazan: A Collaboration in the Theatre (1992), and American Realism and American Drama, 1880-1940 (1987), all published by Cambridge University Press. She has edited Understanding Death of a Salesman (with Susan Abbotson, 1999), The Cambridge Companion to American Women Playwrights (1999), and A Realist in the American Theatre: Selected Drama Criticism of William Dean Howells (1992). She is the author of many articles and reviews on drama and American literature, which have appeared in such journals as Modern Drama, Theatre Journal and American Literature, and she has contributed chapters to many titles in the Cambridge Companions series.
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