Psychoanalysis and the Image
Edited by Griselda Pollock
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Psychoanalysis and the Image by Griselda Pollock
Book DescriptionPsychoanalysis and the Image brings together an influential team of international scholars who demonstrate innovative ways to apply psychoanalytical resources in the study of international modern art and visual representation. * Examines psychoanalytic concepts, values, debates and controversies that have been hallmarks of visual representation in the modern and contemporary periods * Covers topics including melancholia, sex, and pathology to the body, and parent-child relations * Advances theoretical debates in art history while offering substantive analyses of significant bodies of twentieth century art * Edited by internationally renowned art historian Griselda Pollock.
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Book DetailsISBN: 9781405134613
(230mm x 159mm x 13mm)
Imprint: Blackwell Publishing Ltd
Publisher: John Wiley and Sons Ltd
Publish Date: 5-Jul-2006
Country of Publication: United Kingdom
Books By Author Griselda Pollock
Concentrationary Memories, Hardback (December 2013)
Concentrationary Memories is based in the idea that the concentrationary plague unleashed on the world by the Nazis in the 1930s and 1940s has remained and is now a permanent presence shadowing modern life. It also argues that memory - and, indeed, art in general - must be invoked to show this haunting of the present by this menacing past.
Visual Politics of Psychoanalysis, Paperback (October 2013)
Activists working in post-traumatic societies have resisted psychoanalytical terms because they fear that pathologizing individual suffering displaces the collective and political causes of traumatic violence. In a contrary direction, some thinkers have latterly embraced what Judith Butler insists is 'the psychic life of power.'
After-Affects/After-Images, Paperback (August 2013)
In closely-read case studies, we encounter artworks by Gian Lorenzo Bernini, Ana Mendieta, Louise Bourgeois, Alina Szapocznikow, Anna Maria Maiolino, Vera Frenkel, Sarah Kofman and Chantal Akerman to explore trauma and bereavement, fatal illness, Holocaust experience, migration, exile and the encounter with political horror and atrocity.
Old Mistresses, Paperback (May 2013)» View all books by Griselda Pollock
How was it possible, by the later twentieth century, to have erased women as artists from art history so comprehensively that the idea of 'the artist' was exclusively masculine? Why was this erasure more radical in the twentieth century than ever before? This book offers a radical challenge to a women-free Art History.
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Author Biography - Griselda Pollock
Griselda Pollock is Professor of Social and Critical Histories of Art and Director of the CATH Centre at the University of Leeds. She is the author of Vision and Difference: Feminism, Femininity and the Histories of Art (1988), Differencing the Canon: Feminist Desire and the Writing of Art's Histories (1999), Looking Back to the Future: Essays on Art, Life, and Death (2000), and a monograph on Charlotte Salomon, Theatre of Memory (2007).
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