Reading Renaissance Music Theory
Hearing with the Eyes
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Reading Renaissance Music Theory by Cristle Collins Judd
Book DescriptionThis book examines a central group of music theory treatises that have formed the background to the study of Renaissance music. Taking theorists' music examples as a point of departure, it explores fundamental questions about how music was read, and by whom, situating the reading in specific cultural contexts. Numerous broader issues are addressed in the process: the relationship of theory and praxis; access to, and use of, printed musical sources; stated and unstated agendas of theorists; orality and literacy as it was represented via music print culture; the evaluation of anonymous repertories; and the analysis of repertories delineated by boundaries other than the usual ones of composer and genre. In particular this study illuminates the ways in which Renaissance theorists' choices have shaped later interpretation of earlier practice, and reflexively the ways in which modern theory has been mapped on to that practice.
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Book DetailsISBN: 9780521028196
(247mm x 174mm x 19mm)
Imprint: Cambridge University Press
Publisher: Cambridge University Press
Publish Date: 2-Nov-2006
Country of Publication: United Kingdom
Books By Author Cristle Collins Judd
Musical Theory in the Renaissance, Hardback (March 2013)
This volume of essays draws together recent work on historical music theory of the Renaissance. The articles span the major themes addressed by Renaissance writers on music and highlight the range of approaches used by modern scholars. Taken together.
Tonal Structures in Early Music, Paperback (May 2000)» View all books by Cristle Collins Judd
The discussion of tonal structure has been a problematic and controversial aspect of modern study in Medieval and Renaissance polyphony. This volume considers the issue from historical, analytical, theoretical, perceptual, and cultural perspectives.
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Author Biography - Cristle Collins Judd
Cristle Collins Judd is Assistant Professor of Music Theory at the University of Pennsylvania and editor of Tonal Structures in Early Music (1998).
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