Reclaiming Female Agency
Feminist Art History After Postmodernism
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Reclaiming Female Agency by Norma Broude
Book DescriptionThis volume is the third in an influential series of anthologies by editors Norma Broude and Mary D. Garrard that challenge art history from a feminist perspective. Following their "Feminism and Art History: Questioning the Litany" (1982) and "The Expanding Discourse: Feminism and Art History" (1992), this new volume identifies female agency as a central theme of recent feminist scholarship. Framed by a lucid and stimulating critical introduction, twenty-three essays on artists and issues from the Renaissance to the present, written in the 1990s and after, offer a nuanced critique of the poststructuralist premises of 1980s feminist art history.The contributors include: Allison Arieff, Janis Bergman-Carton, Babette Bohn, Norma Broude, Anna C. Chave, Julie Cole, Bridget Elliott, Mary D. Garrard, Sheila ffolliott, Darcy Grimaldo Grigsby, Ruth E. Iskin, Geraldline A. Johnson, Amelia Jones, Maud Lavin, Julie Nicoletta, Carol Ockman, Erica Rand, John B. Ravenal, Lisa Saltzman, and Mary D. Sheriff.
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Book DetailsISBN: 9780520242524
(235mm x 184mm x 25mm)
Imprint: University of California Press
Publisher: University of California Press
Publish Date: 11-Apr-2005
Country of Publication: United States
Books By Author Norma Broude
Expanding Discourse, Paperback (October 1992)
"A sequel to the pioneering volume, Feminism and Art History: Questioning the Litany, published in 1982, The Expanding Discourse contains 29 essays on artists and issues from the Renaissance to the pre"
Feminism and Art History, Paperback (July 1982)» View all books by Norma Broude
A long-needed corrective and alternative view of Western art history that discusses the extent to which art has been distorted, in every period, by sexual bias.
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Author Biography - Norma Broude
Norma Broude, Professor of Art History at American University, is author of Impressionism, a Feminist Reading: The Gendering of Art, Science, and Nature in the 19th Century (1991), among other books. Mary D. Garrard is Professor Emerita of Art History at American University and author of Artemisia Gentileschi around 1622: The Shaping and Reshaping of an Artistic Identity (California, 2001), among other publications. Broude and Garrard are also the editors of The Power of Feminist Art: The American Movement of the 1970s, Power and Impact (1994).
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