Reformed Theology and Visual Culture
The Protestant Imagination from Calvin to Edwards
By (author) William A. Dyrness
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Reformed Theology and Visual Culture by William A. Dyrness
Book DescriptionWith the walls of their churches bereft of imagery and colour and their worship centered around sermons with carefully constructed outlines (as opposed to movement and drama), Reformed Protestants have often been accused of being dour and unimaginative. Here, William Dyrness explores the roots of Reformed theology in an attempt to counteract these prevailing notions. Studying sixteenth-century Geneva and England, seventeenth-century England and Holland and seventeenth and eighteenth-century Puritan New England, Dyrness argues that, though this tradition impeded development of particular visual forms, it encouraged others, especially in areas of popular culture and the ordering of family and community. Exploring the theology of John Calvin, William Ames, John Cotton and Jonathan Edwards, Dyrness shows how this tradition created a new aesthetic of simplicity, inwardness and order to express underlying theological commitments. With over forty illustrations, this book will prove invaluable to those interested in the Reformed tradition.
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Book DetailsISBN: 9780521540735
(228mm x 152mm x 20mm)
Imprint: Cambridge University Press
Publisher: Cambridge University Press
Publish Date: 10-Jun-2004
Country of Publication: United Kingdom
Books By Author William A. Dyrness
Reformed Theology and Visual Culture, Hardback (June 2004)View all books by William A. Dyrness
William Dyrness examines how particular theological themes of Reformed Protestants impacted on their surrounding visual culture.
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Author Biography - William A. Dyrness
William Dyrness is Professor of Theology and Culture in the School of Theology at Fuller Theological Seminary, Pasadena, California. He is the author of over a dozen books on theology and culture including The Earth is God: A Theology of American Culture (1997) and Visual Faith: Art, Theology and Worship in Dialogue (2001).
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