Representing African Music
Postcolonial Notes, Queries, Positions
By (author) Kofi Agawu
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Representing African Music by Kofi Agawu
Book DescriptionThe aim of this book is to stimulate debate by offering a critique of discourse about African music. Who writes about African music, how, and why? What assumptions and prejudices influence the presentation of ethnographic data? Even the term "African music" suggests there is an agreed-upon meaning, but African music signifies differently to different people. This book also poses the question then, "What is African music?" Agawu offers a new and provocative look at the history of African music scholarship that will resonate with students of ethnomusicology and post-colonial studies. He offers an alternative "Afro-centric" means of understanding African music, and in doing so, illuminates a different mode of creativity beyond the usual provenance of Western criticism. This book will undoubtedly inspire heated debate--and new thinking--among musicologists, cultural theorists, and post-colonial thinkers. Also includes 15 musical examples.
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Book DetailsISBN: 9780415943895
(229mm x 152mm x 24mm)
Publisher: Taylor & Francis Ltd
Publish Date: 12-Jun-2003
Country of Publication: United Kingdom
Books By Author Kofi Agawu
African Imagination in Music, Hardback (March 2016)
The African Imagination in Music offers a fresh introduction to the vast and complex world of Sub-Saharan African music. Through close readings of traditional music and references to popular music, Agawu considers topics including the place of music in society, musical instruments, language and music, and appropriations of African music.
Communication in Eighteenth-Century Music, Paperback (August 2012)
In this book, ten leading scholars of music explore the nature of musical communication in the eighteenth century.
Representing African Music, Paperback (June 2003)» View all books by Kofi Agawu
Offers a critique of discourse about African music. This work offers a look at the history of African music scholarship. It offers an alternative "Afro-centric" means of understanding African music, and in doing so, describes a different mode of creativity beyond the usual provenance of Western criticism.
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