Rural Life in Eighteenth-Century English Poetry
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Rural Life in Eighteenth-Century English Poetry by John Goodridge
Book DescriptionRecent research into a self-taught tradition of English rural poetry has begun to offer a radically new dimension to our view of the role of poetry in the literary culture of the eighteenth century. In this important new study John Goodridge offers a detailed reading of key rural poems of the period, examines the ways in which eighteenth-century poets adapted Virgilian Georgic models, and reveals an illuminating link between rural poetry and agricultural and folkloric developments. Goodridge compares poetic accounts of rural labour by James Thomson, Stephen Duck, and Mary Collier, and makes a close analysis of one of the largely forgotten didactic epics of the eighteenth century, John Dyer's The Fleece. Through an exploration of the purpose of rural poetry and how it relates to the real world, Goodridge breaks through the often brittle surface of eighteenth-century poetry, to show how it reflects the ideologies and realities of contemporary life.
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Book DetailsISBN: 9780521604321
(228mm x 152mm x 14mm)
Imprint: Cambridge University Press
Publisher: Cambridge University Press
Publish Date: 15-Dec-2005
Country of Publication: United Kingdom
Books By Author John Goodridge
John Clare: The Trespasser, Paperback (June 2016)
John Goodridge and R.K.R. Thornton discuss the significance of trespass in John Clare's work and life.
John Clare and Community, Paperback (July 2015)
A study of Clare's literary influences, both the rural folk culture in which he grew up and contemporary literature.
Rural Life in Eighteenth-Century English Poetry, Hardback (January 1996)
This book examines the role of rural poetry, and self-taught poets, in eighteenth-century literary culture.
Poetical Works, Paperback (May 1995)» View all books by John Goodridge
John Clare is one of the foremost "peasant poets" of the English language. His fascination with the countryside, with nature and with the seasons and their changing moods marks a departure from the formal pastoral verse of the 18th century.
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