Praise for "Secret Historian"

"Somewhere in the United States, there may be an attic containing the written remnants of a previously unchronicled 20th-century life that was even more astonishing than the one the writer Justin Spring discovered in San Francisco a few years ago. But even the most skeptical reader of his new book, "Secret Historian", will have to admit that the bar is now set high. Samuel Steward, the subject of this absorbing act of biographical excavation, had many identities, including several that the subtitle of the book omits . . . Be assured that it's all for real, and that Spring, even when neck-deep in sensational material, is not a sensationalist. As a biographer, he's humble but firm--he lets Steward's vivid, energetic prose do much of the talking but keeps his own hand on the tiller and never gets giddy, even when Steward seems to be carousing his way through the entire Modern Library . . . The probity and expansive vision of Spring's work is a reminder that a great, outspread terrain of gay history remains to be mapped . . . One suspects there are many more stories of that time worth telling, and too few treasure-packed attics." --Mark Harris, "The New York Times Book Review"

"Can a secret sex diary furnish an artistic legacy as meaningful as Emily Dickinson's sewn-up bundles of poems, or the piles of paintings Theo van Gogh inherited after his brother's premature demise? Samuel Steward may never have imagined it, but his erotic history raises the question. A talented writer who early attracted the attention of Gertrude Stein and Thornton Wilder, he found his career blocked by a determination (so different from hers and his) to write candidly about his homosexuality . . . Steward was an obsessive record keeper, and his journals and his 'Stud File' of thousands of encounters allow [Justin Spring] to create a remarkably full portrait of a man whose life was what Edmund White's might have been had White been born three decades earlier