Sibelius: Symphony No. 5
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Sibelius: Symphony No. 5 by James A. Hepokoski
Book DescriptionSibelius's Fifth is one of the great late-Romantic symphonies. In this searching account, based on a wealth of new information, James Hepokoski takes a fresh look at the work and its composer. His findings have implications beyond Sibelius himself into the entire repertory of Post-Wagnerian symphonic composition. The early chapters place the Fifth Symphony squarely within the general culture of European musical 'modernism' and focus in particular on the problem of the clash of that culture with the more radical 'New-Music' experiments of an emerging younger generation of composers. Subsequent chapters include a probing consideration of Sibelius's style and meditative aesthetic; an account of how the symphony was composed; and a descriptive analysis of the final, familiar version. The book concludes with a discussion of the composer's own prescribed tempos for the Fifth Symphony, along with a comparison of several different recordings.
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Book DetailsISBN: 9780521409582
(216mm x 138mm x 7mm)
Imprint: Cambridge University Press
Publisher: Cambridge University Press
Publish Date: 1-Apr-1993
Country of Publication: United Kingdom
Books By Author James A. Hepokoski
Elements of Sonata Theory, Hardback (August 2003)
Outlines a fresh approach to analysing the sonata. After establishing the normative features of the sonata, this book examines how individual sonatas from Beethoven, Haydn, and Mozart both adhere to and deviate from the standards to a variety of effects.
Sibelius: Symphony No. 5, Hardback (April 1993)
A fresh look at the work and its composer with implications beyond Sibelius himself into the entire repertory of Post-Wagnerian symphonic composition.
Giuseppe Verdi: Otello, Paperback (June 1987)
Summarises what is currently known about Otello and interprets its significance within Verdi's career.
Giuseppe Verdi: Falstaff, Paperback (November 1983)» View all books by James A. Hepokoski
A compact, up-to-date guide to the history and construction of Verdi's last - and possibly greatest - opera.
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