Stone Heart by Charlie Fletcher
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Stone Heart
By Charlie Fletcher

Stone Heart

By (author) See other recent books by Charlie Fletcher
Format: Paperback

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Stone Heart by Charlie Fletcher

Book Awards

  • Shortlisted for Branford Boase Award 2007.

Book Description

'Deep in the City something had been woken, so old that people had been walking past it for centuries without giving it a second look...' When George breaks the dragon's head outside the Natural History Museum he awakes an ancient power. This prehistoric beast, sentry-still for centuries, hunts him down with a terrifying wrath. And this is just the beginning...The taints and spits - statues with opposing natures - are warring forces; wreaking deadly havoc on the city landscape. The World War One gunner offers protection of sorts; and the wisdom of the Sphinx is legendary. But George and his companion Edie are trapped in a world of danger. And worse - they are quite alone. The rest of London is oblivious to their plight. This epic adventure exposes forces long-layered in the fabric of London. After entering its richly original and breathtaking world, the city streets and skyline will never again seem the same!

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Book Details

ISBN: 9780340911631
ISBN-10: 0340911638
Format: Paperback
(200mm x 160mm x 38mm)
Pages: 496
Imprint: Hodder Children's Books
Publisher: Hachette Children's Group
Publish Date: 20-Sep-2007
Country of Publication: United Kingdom

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The final book in the exciting Dragon Shield trilogy, by the author of Stoneheart.

Paradox by Charlie Fletcher Paradox, Paperback (December 2015)

The Paradox is a gothic fantasy adventure that will appeal to fans of Neil Gaiman, A Discovery of Witches and Jonathan Strange and Mr Norrell, from the author of The Oversight

London Pride by Charlie Fletcher London Pride, Paperback (March 2015)

The second part of the thrilling Dragon Shield trilogy, from the author of Stoneheart.

Oversight by Charlie Fletcher Oversight, Paperback (November 2014)

Now in paperback, this gothic fantasy is the perfect indulgent read, with great appeal to readers who enjoyed Jonathan Strange & Mr Norrell, A Discovery of Witches, The Invisible Library or The Night Circus and also for fans of Neil Gaiman's magical fiction.

» View all books by Charlie Fletcher


US Kirkus Review » This series opener has appealing motifs but is tedious and longer than necessary. Twelve-year-old George gets in trouble on a museum field trip, stalks outside and angrily swings at a small stone carving. Shockingly, the dragon's head comes off in his hand. From that moment on, stone creatures are after him. A stone pterodactyl slides off the building and gives chase; as George races madly away, three stone salamanders join the pursuit. A statue of a Gunner from the Great War steps in and blasts the creatures to bits, but the respite is temporary. George has upset a balance he doesn't understand. His quest to put things right is aided by the Gunner and also by Edie, a girl of George's age who channels the past. They move through London, fighting desperately and seeking explanations from sphinxes and statues. Fletcher's action sequences are disappointingly dry. More intriguing are his philosophies about stone and "makers" (builders), and the protagonists' family histories, but these are too sparse, leaving the whole unsatisfying. (Fantasy. 10-12) (Kirkus Reviews)

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Author Biography - Charlie Fletcher

Having studied English Literature at university , Charlie began his career in the film business carrying cans of film round Soho and making very bad cups of tea on the principal that he'd then be asked to do something a bit more interesting, a strategy that he recommends to anyone starting out as a tea-boy. He progressed to the BBC where he worked in film editing on everything from Drama to Current Affairs. He then went to California where he morphed into a screenwriter, having been awarded a Warner Brothers Fellowship in Screenwriting at USC School of Cinema and TV. He's written screenplays for Tri-Star, MGM, Paramount and Warner Bros among others. He continues to write for the movies, and also television. He still thinks that being a film editor is a pretty damn fine way to learn about story-telling in general, and narrative structure and pacing in particular.

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