Streetwalking on a Ruined Map by Giuliana Bruno
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Streetwalking on a Ruined Map
By Giuliana Bruno

Streetwalking on a Ruined Map

Cultural Theory and the City Films of Elvira Notari

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Format: Paperback

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Streetwalking on a Ruined Map by Giuliana Bruno

Book Description

Emphasizing the importance of cultural theory for film history, Giuliana Bruno enriches our understanding of early Italian film as she guides us on a series of "inferential walks" through Italian culture in the first decades of this century. This innovative approach---the interweaving of examples of cinema with architecture, art history, medical discourse, photography, and literature--addresses the challenge posed by feminism to film study while calling attention to marginalized artists. An object of this critical remapping is Elvira Notari (1875-1946), Italy's first and most prolific woman filmmaker, whose documentary-style work on street life in Naples, a forerunner of neorealism, was popularly acclaimed in Italy and the United States until its suppression during the Fascist regime. Since only fragments of Notari's films exist today, Bruno illuminates the filmmaker's contributions to early Italian cinematography by evoking the cultural terrain in which she operated. What emerges is an intertextual montage of urban film culture highlighting a woman's view on love, violence, poverty, desire, and death. This panorama ranges from the city's exteriors to the body's interiors. Reclaiming an alternative history of women's filmmaking and reception, Bruno draws a cultural history that persuasively argues for a spatial, corporal interpretation of film language.

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Book Details

ISBN: 9780691025339
ISBN-10: 0691025339
Format: Paperback
(235mm x 155mm x 27mm)
Pages: 436
Imprint: Princeton University Press
Publisher: Princeton University Press
Publish Date: 30-Nov-1992
Country of Publication: United States

Other Editions...

Books By Author Giuliana Bruno

Exhibiting the Moving Image by Giuliana Bruno Exhibiting the Moving Image, Paperback (June 2015)

Since the 1990s, a 'cinematographic turn' has supposedly taken place in contemporary art paralleled by the emergence of a 'cinema of exhibition' during the same period. This collection of new essays investigates the relationships between the 'white cube' and the 'black box', focusing mainly on the 1970s.

» View all books by Giuliana Bruno


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