Surrealism and the Art of Crime
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Surrealism and the Art of Crime by Jonathan P. Eburne
Book DescriptionCorpses mark surrealism's path through the twentieth century, providing material evidence of the violence in modern life. Though the shifting group of poets, artists, and critics who made up the surrealist movement were witness to total war, revolutionary violence, and mass killing, it was the tawdry reality of everyday crime that fascinated them. Jonathan P. Eburne shows us how this focus reveals the relationship between aesthetics and politics in the thought and artwork of the surrealists and establishes their movement as a useful platform for addressing the contemporary problem of violence, both individual and political.In a book strikingly illustrated with surrealist artworks and their sometimes gruesome source material, Eburne addresses key individual works by both better-known surrealist writers and artists (including Andre Breton, Louis Aragon, Aime Cesaire, Jacques Lacan, Georges Bataille, Max Ernst, and Salvador Dali) and lesser-known figures (such as Rene Crevel, Simone Breton, Leonora Carrington, Benjamin Peret, and Jules Monnerot). For Eburne "the art of crime" denotes an array of cultural production including sensationalist journalism, detective mysteries, police blotters, crime scene photos, and documents of medical and legal opinion as well as the roman noir, in particular the first crime novel of the American Chester Himes. The surrealists collected and scrutinized such materials, using them as the inspiration for the outpouring of political tracts, pamphlets, and artworks through which they sought to expose the forms of violence perpetrated in the name of the state, its courts, and respectable bourgeois values.Concluding with the surrealists' quarrel with the existentialists and their bitter condemnation of France's anticolonial wars, Surrealism and the Art of Crime establishes surrealism as a vital element in the intellectual, political, and artistic history of the twentieth century.
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Book DetailsISBN: 9780801446740
(238mm x 168mm x 30mm)
Imprint: Cornell University Press
Publisher: Cornell University Press
Publish Date: 31-Jul-2008
Country of Publication: United States
Books By Author Jonathan P. Eburne
Paris, Capital of the Black Atlantic, Paperback (November 2013)
Paris, Capital of the Black Atlantic is unique both in its focus on literary fiction as a formal and sociological category and in the range of examples it brings to bear on the question of Paris as an imaginary capital of diasporic consciousness.
Surrealism, Paperback (February 2010)» View all books by Jonathan P. Eburne
A comprehensive survey of the 20th-century's longest lasting art movement.
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