Theatre, Court and City, 1595-1610
Drama and Social Space in London
By (author) Janette Dillon
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Theatre, Court and City, 1595-1610 by Janette Dillon
Book DescriptionThis book explores the vital and interactive relationship between city and court in the drama of Shakespeare's time. The growth of purpose-built playhouses in late sixteenth-century London began to shift the focus of performance for many companies away from provincial touring, making the city a more conspicuous presence in drama. Janette Dillon looks at relations between drama and city through the wider lens of fashion and commercialism, examining in particular the developing 'West End' area along the Strand. She argues that the drama is oriented towards both the city of London and the court, rather than to one or the other, as previous studies have assumed. The book is organized around physical and social forms of theatre space. It ranges from analysis of well-known plays, such as Shakespeare's Love's Labour's Lost and Jonson's Epicoene, to lesser-known drama by Heywood and the newly discovered Jonsonian entertainment, Britain's Burse.
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Book DetailsISBN: 9780521029902
(228mm x 152mm x 12mm)
Imprint: Cambridge University Press
Publisher: Cambridge University Press
Publish Date: 2-Nov-2006
Country of Publication: United Kingdom
Books By Author Janette Dillon
Language of Space in Court Performance, 1400-1625, Paperback (December 2015)
Using a set of detailed case studies, this book analyses medieval and early modern court culture as inherently performative.
Much Ado About Nothing, Paperback (September 2015)
Proud, vivacious Beatrice and a high-spirited rake Benedick both claim that they are determined never to marry. But when good-hearted mischief-maker Don Pedro tricks them into believing that each harbours secret feelings for the other, Beatrice and Benedick begin to question whether their witty banter and repartee conceals something deeper.
All's Well That Ends Well, Paperback (July 2015)
Helena, physician's daughter of humble birth, cures the King of France, and in return is promised the hand of any nobleman she wishes. But the man she chooses, the proud young Bertram, count of Rosillion, flees to Florence, refusing to consent to the forced marriage unless Helena can pass two seemingly impossible tests.
Shakespeare and the Staging of English History, Hardback (April 2012)» View all books by Janette Dillon
This new study of Shakespeare's English history plays looks at the plays through the lens of early modern staging, focusing on the recurrence of particular stage pictures and 'units of action', and seeking to show how these units function in particular and characteristic ways within the history plays.
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