Listening for Inwardness
By (author) Meredith Anne Skura
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Tudor Autobiography by Meredith Anne Skura
Book DescriptionHistories of autobiography in England often assume the genre hardly existed before 1600. But "Tudor Autobiography" investigates eleven sixteenth-century English writers who used sermons, a saint's biography, courtly and popular verse, a traveler's report, a history book, a husbandry book, and a supposedly fictional adventure novel to share the secrets of the heart and tell their life stories.In the past such texts have not been called autobiographies because they do not reveal much of the inwardness of their subject, a requisite of most modern autobiographies. But, according to Meredith Anne Skura, writers reveal themselves not only by what they say but by how they say it. Borrowing methods from affective linguistics, narratology, and psychoanalysis, Skura shows that a writer's thoughts and feelings can be traced in his or her language. Rejecting the search for 'the early modern self' in life writing, "Tudor Autobiography" instead asks what authors said about themselves, who wrote about themselves, how, and why. The result is a fascinating glimpse into a range of lived and imagined experience that challenges assumptions about life and autobiography in the early modern period.
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Book DetailsISBN: 9780226761879
(237mm x 164mm x 28mm)
Imprint: University of Chicago Press
Publisher: The University of Chicago Press
Publish Date: 19-Sep-2008
Country of Publication: United States
Books By Author Meredith Anne Skura
Shakespeare the Actor and the Purposes of Playing, Paperback (November 1993)» View all books by Meredith Anne Skura
Meredith Anne Skura asks what it meant to be an actor in Shakespeare's England and shows why a knowledge of actual theatrical practices is essential for understanding both Shakespeare's plays and the theatricality of everyday life in early modern England.
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Author Biography - Meredith Anne Skura
Meredith Anne Skura is the Libbie Shearn Moody Professor of English at Rice University and the author of The Literary Use of the Psychoanalytic Process and Shakespeare the Actor and the Purposes of Playing, the latter also published by the University of Chicago Press.
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