Virtuosity and the Musical Work
The Transcendental Studies of Liszt
By (author) Jim Samson
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Virtuosity and the Musical Work by Jim Samson
Book DescriptionThis book is about three sets of etudes by Liszt: the Etude en douze exercices (1826), its reworking as Douzes grandes etudes (1837), and their reworking as Douzes etudes d'execution transcendante (1851). At the same time it is a book about nineteenth-century instrumental music in general, in that the three works invite the exploration of features characteristic of the early Romantic era in music. These include: a composer-performer culture, the concept of virtuosity, the significance of recomposition, music and the poetic, and the consolidation of a musical work-concept. A central concern is to illuminate the relationship between the work-concept and a performance- and genre-orientated musical culture. At the same time the book reflects on how we might make judgements of the 'Transcendentals', of the Symphonic Poem Mazeppa (based on the fourth etude), and of Liszt's music in general.
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Book DetailsISBN: 9780521036047
(247mm x 174mm x 13mm)
Imprint: Cambridge University Press
Publisher: Cambridge University Press
Publish Date: 23-Apr-2007
Country of Publication: United Kingdom
Books By Author Jim Samson
Cambridge History of Nineteenth-century Music, Paperback (July 2014)
First published in 2002, this comprehensive overview of music in the nineteenth century draws on extensive scholarship in the field.
Introduction to Music Studies, Paperback (January 2009)
Why study music? An introduction to the main aspects of the subject, outlining the many benefits of a music degree.
Chopin Studies 2, Paperback (December 2006)» View all books by Jim Samson
This second volume of Chopin essays contains Chopin research by twelve leading scholars.
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Author Biography - Jim Samson
Jim Samson has been a Professor of Music at the Universities of Exeter and Bristol and is now Professor of Music at Royal Holloway, University of London. He has published widely on the music of Chopin and on analytical and aesthetic topics in nineteenth- and twentieth-century music and has recently edited the Cambridge History of Nineteenth-Century Music. He is a Fellow of the British Academy and holds the Order of Merit of the Polish Ministry of Culture.
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