Edited by James Elkins
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Visual Literacy by James Elkins
Book DescriptionWhat does it mean to be visually literate? Does it mean different things in the arts and the sciences? In the West, in Asia, or in developing nations? If we all need to become "visually literate," what does that mean in practical terms? The essays gathered here examine a host of issues surrounding "the visual," exploring national and regional ideas of visuality and charting out new territories of visual literacy that lie far beyond art history, such as law and chemistry. With an afterword by Christopher Crouch, this groundbreaking collection brings together the work of major art and visual studies scholars and critics to explore what impact the new concept of "visual literacy" will have on the traditional field of art history. Contributors: Matthias Bruhn, Vera Dunkel, Jonathan Crary, Christopher Crouch, Peter Dallow, James Elkins, Henrik Enquist, W.J.T. Mitchell, Richard K. Sherwin, Susan Shifrin, Jon Simons, Barbara Maria Stafford, William Washabaugh
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Book DetailsISBN: 9780415958103
(229mm x 152mm x 18mm)
Publisher: Taylor & Francis Ltd
Publish Date: 17-Dec-2007
Country of Publication: United Kingdom
Books By Author James Elkins
World Atlas of Tattoo, Hardback (September 2015)
A lavishly illustrated global exploration of the vast array of styles and most significant practitioners of tattoo from ancient times to today
Beyond the Aesthetic and the Anti-Aesthetic, Hardback (August 2013)
Conversations from a series of seminars held at the School of the Art Institute of Chicago, July 18-24, 2010.
Theorizing Visual Studies, Paperback (January 2013)View all books by James Elkins
This forward-thinking collection brings together over 60 essays that invoke images to summon, interpret, and argue with visual studies and its neighbouring fields such as art history, media studies, visual anthropology, critical theory, cultural studies, and aesthetics.
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Author Biography - James Elkins
James Elkins is E.C. Chadbourne Chair in the Department of Art History, Theory, and Criticism at the School of the Art Institute of Chicago. He is the author of Pictures and Tears, How to Use Your Eyes, and What Painting Is and, most recently, The Strange Place of Religion in Contemporary Art and Master Narratives and Their Discontents, all published by Routledge.
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