Woman and Chinese Modernity
The Politics of Reading Between West and East
By (author) Rey Chow
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Woman and Chinese Modernity by Rey Chow
Book DescriptionIn this era, analysis of the West has become not only possible but mandatory. Where does this analysis leave those ethnic peoples whose entry into culture is, precisely because of the history of Western imperialism, already "Westernized"? This is the primary question Rey Chow addresses in "Woman and Chinese Modernity". The author brings together a variety of texts about modern China - from Bertolucci's "Last Emperor" and the "Mandarin Duck and Butterfly" stories, to writings by male and female authors of the May Fourth period - and organizes them along four critical paths all of which involve "woman". Those include the visual image, literary history, narrative structure and emotional reception. These, in turn, allow four mutually implicated aspects of "Chinese" modernity to come to the fore - the ethnic spectator, the fragmentation of tradition in popular literature, the problematic construction of a new "inner" reality through narration, and the relations between sexuality, sentimentalism and reading.
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Book DetailsISBN: 9780816618712
(234mm x 156mm x 13mm)
Imprint: University of Minnesota Press
Publisher: University of Minnesota Press
Publish Date: 1-Jan-1991
Country of Publication: United States
Books By Author Rey Chow
Ranciere and Film, Paperback (July 2013)
Offers a collection of essays on philosopher jacques Ranciere's work on film. This book offers a range of responses to and assessments of his contributions to film studies and includes a piece by Ranciere himself. It is an assessment of Ranciere's contribution to film studies and theory.
Sentimental Fabulations, Contemporary Chinese Films, Paperback (March 2007)» View all books by Rey Chow
What is the sentimental? How can we understand it by way of the visual and narrative modes of signification specific to cinema and through the manners of social interaction and collective imagining specific to a particular culture in transition? This book explores these questions through contemporary Chinese directors.
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