Women on Stage in Stuart Drama
By (author) Sophie Tomlinson
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Women on Stage in Stuart Drama by Sophie Tomlinson
Book DescriptionWomen on Stage in Stuart Drama provides a 'prehistory' of the actress, filling an important gap in established accounts of how women came to perform in the Restoration theatre. Sophie Tomlinson uncovers and analyzes a revolution in theatrical discourse in response to the cultural innovations of two Stuart queens consort, Anna of Denmark and the French Henrietta Maria. Their appearances on stage in masques and pastoral drama engendered a new poetics of female performance, which registered acting as a powerful means of self-determination for women. The pressure of cultural change is inscribed in a plethora of dramatic texts that explore the imaginative possibilities inspired by female acting. These include plays by the key royalist women writers Margaret Cavendish, Duchess of Newcastle, and Katherine Philips. The material explored by Tomlinson illustrates a fresh vision of theatrical femininity and encompasses an unusually sympathetic interest in questions of female liberty and selfhood.
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Book DetailsISBN: 9780521811118
(228mm x 152mm x 21mm)
Imprint: Cambridge University Press
Publisher: Cambridge University Press
Publish Date: 5-Jan-2006
Country of Publication: United Kingdom
Books By Author Sophie Tomlinson
Three Seventeenth-Century Plays on Women and Performance, Paperback (November 2011)
A groundbreaking edition of three seventeenth-century plays that all engage in diverse and exciting ways with questions of gender and performance. The plays are John Fletcher's 'The Wild-Goose Chase', James Shirley's 'The Bird in a Cage' and Margaret Cavendish's 'The Convent of Pleasure'.
Women on Stage in Stuart Drama, Paperback (November 2009)» View all books by Sophie Tomlinson
A study into the history of the seventeenth-century stage from the perspective of the actresses.
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Author Biography - Sophie Tomlinson
Sophie Tomlinson is a Senior Lecturer in English at the University of Auckland, New Zealand. She has published essays on female performance and women's drama in early modern England, and has edited John Fletcher's comedy The Wild-Goose Chase for the forthcoming Revels Companion Library volume of Three Seventeenth-Century Plays on Women and Performance.
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