World Cinemas, Transnational Perspectives by Natasa Durovicova
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World Cinemas, Transnational Perspectives
By Natasa Durovicova

World Cinemas, Transnational Perspectives

Edited by See other recent books by Natasa Durovicova See other recent books by Kathleen E. Newman
Format: Hardback

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World Cinemas, Transnational Perspectives by Natasa Durovicova

Book Description

SCMS Award Winner "Best Edited Collection" The standard analytical category of "national cinema" has increasingly been called into question by the category of the "transnational." This anthology examines the premises and consequences of the coexistence of these two categories and the parameters of historiographical approaches that cross the borders of nation-states. The three sections of World Cinemas, Transnational Perspectives cover the geopolitical imaginary, transnational cinematic institutions, and the uneven flow of words and images.

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Book Details

ISBN: 9780415976534
ISBN-10: 0415976537
Format: Hardback
(229mm x 152mm x 22mm)
Pages: 384
Imprint: Routledge
Publisher: Taylor & Francis Ltd
Publish Date: 1-Aug-2007
Country of Publication: United Kingdom

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Books By Author Natasa Durovicova

World Cinemas, Transnational Perspectives by Natasa Durovicova World Cinemas, Transnational Perspectives, Paperback (December 2007)

The standard analytical category of "national cinema" has been called into question by the category of the "transnational." This work examines the premises and consequences of the coexistence of these two categories and the parameters of historiographical approaches that cross the borders of nation states.

» View all books by Natasa Durovicova

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Author Biography - Natasa Durovicova

Natasa Durovicova is Editor of 91st Meridian, the online journal of the International Writing Program at the University of Iowa. Her scholarship has dealt with the shifting concept of national cinema as a historigraphic category and with the role of language, voice and sound during the interwar years. Her current project bears on translation as a strategy of cognitive mapping of world cinema flows. Most recently, she was Visiting Faculty Member (2003-5) at the MAGIS Spring School [Gardisca, Italy}. Kathleen E. Newman is Associate Professor of Cinema and Spanish at the University of Iowa. Her research and teaching focuses on Latin American, Chicano, and Spanish cinemas as well as on theoretical question regarding the relation between fictional narrative and politics and the relation between cinema and globalization. She is the author of La violencia del dicurso: elestado autoritario y la novella politica argentina. Her current book project, Agentine Silent Film: Feminism, Democracy, and Modernity, is a study of the relation between silent film, early feminist movements and democratization in Argentina in the first three decades of the twentieth century.

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