You're Only as Good as Your Next One
100 Great Films, 100 Good Films and 100 for Which I Should be Shot
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You're Only as Good as Your Next One by Mike Medavoy
Book DescriptionName any one of the most highly regarded films of the last four decades and chances are that it's got producer Mike Medavoy's prints somewhere on it: One Flew Over the Cuckoo's Nest; Amadeus; The Silence of the Lambs; Apocalypse Now; Philadelphia; Rocky, the list is endless. Born in Shanghai and raised in Chile, Medavoy has taken the hard road to the highest echelons of Hollywood power, rising from the mailroom, never losing sight of his convictions, and staying true to the art of making movies. YOU'RE ONLY AS GOOD AS YOUR NEXT ONE explores in detail what Medavoy calls 'a terrifying business for the faint of heart.' He traces how the making and marketing of movies has changed now that the Hollywood studios have become divisions of large corporations. Recalling his many successes (and claiming just as many failures), Medavoy takes the reader into the eye of Hollywood's biggest storms: the madness on the set of Apocalypse Now; the political fallout of Mississippi Burning and The People vs. Larry Flynt; and the Woody Allen scandal that rocked Husbands and Wives, plus close encounters with colleagues like Robert Redford, Kevin Costner, Dustin Hoffman, and Steven Spielberg. It's a look at the last forty years in a business that is everybody's second business.
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Book DetailsISBN: 9780743400558
(214mm x 139mm x 25mm)
Imprint: Atria Books
Publisher: Atria Books
Publish Date: 1-Jan-2003
Country of Publication: United States
Books By Author Mike Medavoy
American Idol After Iraq, Hardback (April 2009)» View all books by Mike Medavoy
"This book breaks completely new ground in the study of communication power-the key power of the 21st century. " Manuel Castells, Author of The Network Society This book explores the role of US media in foreign policy, not only at the present moment, but with an eye to the future.
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Author Biography - Mike Medavoy
Mike Medavoy started his career in the mailroom of Universal Studios. He became a talent agent at age twenty-four, Joined United Artists, went on to co-found Orion Pictures, and then became chairman of Sony's TriStar Pictures. In 1994, he formed Phoenix Pictures.
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