Perhaps fittingly for a book that hinges on a talking turtle, this novel is a strange beast. Set among the grey streets of Glasgow, the story is told through the eyes of Donald Pinelli, a young man who has grown up with the knowledge that he will die by drowning at the age of 18. The curse endows Donald with just one more problem on top of a loony psychic mother, a vindictive sister, an absent gangster father and hardly any friends to speak of. Things look grim until an encounter with a talking turtle gives him a freedom he never knew he had. While the premise of this story is appealing, it’s in the telling that Turtle falls down. Bryson continually lets narrative tension escape through flash-forwards (nearly half the book is told with Donald as a middle-aged man), and a narrator who seems he would rather be doing anything else but telling you his story. This is not to say the writing is unappealing—parts of it are wonderful—but the jarring mix of Glaswegian kitchen-sink drama and Life of Pi-style magic realism makes it all a bit hard to swallow, and even harder to categorise.
Christopher Currie is senior buyer at Avid Reader Bookshop in Brisbane. He writes a short story every day at www.furioushorses.com
This review from Australian Bookseller & Publisher magazine is reproduced by kind permission of Thorpe-Bowker, a division of R R Bowker LLC. © Copyright 2008, Thorpe-Bowker
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Comments
3 comment(s) on this page. Add your own comment below.
I totally disagree with your reviewer. I have read this book and it was a great read, a story about human relationships, told in a really interesting way. It's funny too, and the Glasgow setting is really different. I think your reviewer didn't get it at all. Maybe because he's a bloke, and this is a novel about how people connect, or fail to connect emotionally. And as for being hard to categorise, only a 'senior buyer' could be upset about that!
I really enjoyed this book and would thoroughly recommend it to anyone. Great characters and a distinctive voice. I don't understand why the reviewer on this page didn't like it. It's full of 'narrative tension', and of course the narrator is reticent about telling us the story - that's part of his character, surely, given what he's been through in his life? Honestly, I wouldn't trust this reviewer - a so-called 'senior buyer' - to buy a book of stamps.
I read it in a few days hungry to get to the next part of the story because it's a terrific tale. The narrator is wily, cagey, playful, sad and funny - a Glaswegian to be sure, and suited to a character coming from such emotional upheaval. The delving into dysfunctional families and some of life's big subjects is insightful and artfully wrought.
Everyone is entitled to their opinion, but I was surprised to read the review above. In fact, it strikes me that the reviewer rushed through the book because none of it was 'flash forward', it was first person flashing back, and done so well it maintains 'tension' in both present and past, never dwelling too much in one lest you lose track of the other.
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