Description - The Beggar's Opera and Polly by John Gay
'Gamesters and Highwaymen are generally very good to their Whores, but they are very Devils to their Wives.' With The Beggar's Opera (1728), John Gay created one of the most enduringly popular works in English theatre history, and invented a new dramatic form, the ballad opera. Gay's daring mixture of caustic political satire, well-loved popular tunes, and a story of crime and betrayal set in the urban underworld of prostitutes and thieves was an overnight sensation. Captain Macheath and Polly Peachum have become famous well beyond the confines of Gay's original play, and in its sequel, Polly, banned in Gay's lifetime, their adventures continue in the West Indies. With a cross-dressing heroine and a cast of female adventurers, pirates, Indian princes, rebel slaves, and rapacious landowners, Polly lays bare a culture in which all human relationships are reduced to commercial transactions. Raucous, lyrical, witty, ironic and tragic by turns, The Beggar's Opera and Polly - published together here for the first time - offer a scathing and ebullient portrait of a society in which statesmen and outlaws, colonialists and pirates, are impossible to tell apart.
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(196mm x 130mm x 12mm)
Oxford University Press
Publisher: Oxford University Press
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Book Reviews - The Beggar's Opera and Polly by John Gay
Author Biography - John Gay
Hal Gladfelder is the author of Criminality and Narrative in Eighteenth-Century England: Beyond the Law (Johns Hopkins, 2001) and an edition of Cleland's Memoirs of a Coxcomb (Broadview, 2005). His most recent book is a study of Cleland's life and career, Fanny Hill in Bombay: The Making and Unmaking of John Cleland (Johns Hopkins, 2012).