Private eye Kate Brannigan confronts betrayal and cold-blooded greed as she investigates the alien world of medical experimentation and the underbelly of the rock music business. Kate Brannigan's not just having a bad day, she's having a bad week. Her boyfriend's death notice is in the paper, her plan to catch a team of fraudsters is in disarray and a neo-punk band want her to find out who's trashing their flyposters. And her business partner wants her to buy him out. Fine, but private eyes with principles never have that kind of cash. Kate can't even cry on her best friend's shoulder, for Alexis has worries of her own. Her girlfriend's pregnant, and when the doctor responsible for the fertility treatment is murdered, Alexis needs Kate like she's never done before. So what's a girl to do? Delving into the alien world of medical experimentation and the underbelly of the rock-music business, Kate confronts betrayal and cold-blooded greed as she fights to save not only her livelihood, but her life as well...
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(178mm x 111mm x 23mm)
HarperCollins Publishers Ltd
Publisher: HarperCollins Publishers
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US Kirkus Review »
Kate Brannigan's partner-in-crime-solving, Bill Mortensen, has been snared by a marriage-minded Australian siren and wants to sell his share of their inquiry agency to Kate. But she can't afford it - and besides, there's no way to tell what the partnership will be worth if wisecracking Kate (Clean Break, 1995, etc.) even survives the rash of cases that await her. There's an unscrupulous pair of headstone sellers who prey on the recently bereaved, and the punk band (scruffy buddies of Kate's rock-journalist lover Richard Barclay) whose shot at basking in the bright lights of Manchester is getting sabotaged by a bunch of well-connected heavies. And then there's the murder of Dr. Sarah Blackstone, a gynecologist who promised her practice - lesbians who wanted children of their own - that she could help them conceive without involving any men. Now Blackstone's patients, desperate to hide the nature of her research, find that she was even more secretive than they were, using a false name for her consulting and pushing her fertility research into frontiers that would've given anyone in her lab a perfect motive to kill her. Busy with comings and goings, but a bit mechanical and homogeneous, too, with a tangle of cases that tend to tap the same reliable emotions, a highly unsatisfactory climax, and not a trace of the dark brilliance of McDermid's The Mermaids Singing (p. 1498). (Kirkus Reviews)
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Author Biography - Val McDermid
Val McDermid grew up in a Scottish mining community and then read English at Oxford. She was a journalist for sixteen years, spending the last three as Northern Bureau Chief of a national Sunday tabloid. She is now a full-time writer and lives in South Manchester.