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Once, on a winter's night many years ago, after a heavy snow, the devil passed through the Scottish fishing town of Coldhaven, leaving a trail of dark hoofprints across the streets and roofs of the sleeping town. Michael Gardiner has lived in Coldhaven all his life, but still feels like an outsider, a blow-in. When Moira Birnie decides that her abusive husband is the devil and then kills herself and her two young sons, a terrible chain of events begins. Michael's infatuation with Moira's teenage daughter takes him on a journey towards a defined fate, where he is forced to face his present and then, finally, his past...

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Book Details

ISBN: 9780099479543
ISBN-10: 0099479540
Format: Paperback
(198mm x 129mm x 16mm)
Pages: 224
Imprint: Vintage
Publisher: Vintage Publishing
Publish Date: 6-Mar-2008
Country of Publication: United Kingdom

Reviews

US Kirkus Review » A quasi-mystery that spends too much time within the mind of the uninteresting first-person narrator.The Scottish-born Burnside (A Lie About My Father: A Memoir, 2007, etc.) returns to his native land with a plot that suggests the presence of the devil in an isolated seaside village, while leaving the identity of that devil open-ended. Protagonist Michael Gardiner sets the plot in motion when he learns of the suicide of a woman he dated as a teenager. The woman, Moira Birnie, set her car ablaze with her young children inside. Curiously, she left behind her 14-year-old daughter Hazel. Michael suspects that Moira killed her children and herself to escape her devil of a husband, Tom. But why has she spared Hazel? After doing his calendar calculations, Michael suspects that Hazel isn't Tom's daughter, but his own. Since Michael's marriage is all but dead, and most of the marriages in the village seem as troubled as Moira and Tom's apparently was, Michael's obsession with Hazel provides new life (at least in his mind) for the two of them. Yet in the novel's evocation of Lolita, there's something a little creepy in the way that Hazel becomes his life's focus. Within the yo-yo of the novel's chronology (as Michael spends more time living in the past than the present), the reader learns that the Gardiners have long endured an adversary relationship with the rest of the village, that Michael and his parents have kept fatal secrets from each other and that Michael has a history of both sleepwalking and dreaming a parallel reality that he sometimes has trouble distinguishing from his waking one. With Michael's insistence that he's losing his mind as the novel progresses, it becomes harder for the reader to distinguish what's really happening. And whether the fault lies with the novelist or his protagonist, none of the characters that Michael describes seem fully formed.The novel ultimately ties some knots but leaves too many strands loose. (Kirkus Reviews)


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Book Review: Devil's Footprints by John Burnside - Reviewed by (11 Jan 2010)

Reviewed by Ann Skea (ann@skea.com). ********************* The Devil's Footprints is a strange and haunting book written by a poet who seems always to have a sense of some shadowy presence which exists just on the limits of consciousness. That shadow is there in Burnside's poetry and it is there, too, in this novel, where the Devil's footprints of a local Scottish folk-myth frame the story and are paralleled at its end by those of Michael Gardiner, who is its narrator.

Michael's story is both ordinary and extraordinary. Ordinary in that it represents the thoughts of a solitary, introspective man looking back on a seemingly unremarkable childhood and adolescence. Extraordinary, in that at one time in his childhood he killed a boy who had been bullying him and he has carried that secret with him ever since. We know almost from the beginning of the book that he has killed a boy. What we do not know, is how this came about and what people and events in his childhood brought him to do it.

The threads of past and present are woven together in Michael's narrative. A newspaper report of the death of a woman and her two young sons in a burning car throws up old memories and poses new questions. Both lead him to re-visit his past, but also throw him into what he calls a temporary "insanity".

Burnside is a master story-teller, and this story, like the folk-myth with which it begins, has depths and mysteries beneath its surface which reflect the primal instincts of human life and the loves, guilts and fears which drive us all. Michael's description of his life, and of the events and people he remembers most vividly, gradually reveals his character. His sense of being an outsider, his mild alienation from his fellow beings, his fears, justifications, frailties, and his suppressed guilt, all become apparent. But so, too, does his sensitivity to the unique and terrifying beauty of the natural world of the Scottish coast around him, and his sense of belonging to it in some mysterious way. It is this, ultimately, and the long, hard journey he makes through the countryside back to this 'home', which cures his insanity. This a hero's journey to self-knowledge with a difference, for the hero is a very ordinary human being, much like any other.

Gift Songs, Burnside's most recent book of poems, explores this sense of place and belonging further. The title comes from a Shaker belief in the value of songs as gifts. And the Shakers are a group of people who, like Michael Gardiner in Burnside's novel, are outside the general community: Unlike him, however, they are intensely connected to their own community by their particular religious practices.

Gift Songs explores the sort of belonging which comes not only from faith but also from our sense of connection to the natural world. That sense of something other, some mystery present in particular surroundings, in light, music, silence : "phantoms we carry away / from our edited lives".

As always, the rhythm and music of Burnside's poetry has the power to suggest this shadowy presence. This, for me, is its appeal, although it may puzzle others, since the numinous is not something which can be spelt out. Nevertheless, there are simple gifts here, such as the beautiful 'Five Animals' poems, as well as more complex meditations. And Burnside crafts his gifts with loving care and with a skill which imbues them with magic.

**************

Copyright © Ann Skea 2007 Website and Ted Hughes pages: http://ann.skea.com/ First published in Eclectica http://www.eclectica.org/

Ann Skea Website and Ted Hughes pages: http://ann.skea.com/


Author Biography - John Burnside

John Burnside has published seven works of fiction and eleven works of poetry, including The Asylum Ward, which won the 2000 Whitbread Poetry Award. His latest collection, Black Cat Bone, won the TS Eliot Prize in 2012. His Selected Poems was published in 2006, alongside his memoir, A Lie About My Father, which was the Saltire Scottish Book of the Year and the Scottish Arts Council Non-Fiction Book of the Year. The second volume of his memoir, Waking Up In Toytown, was published by Jonathan Cape in 2010. A Summer of Drowning was shortlisted for the 2011 Costa Novel Award.

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