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Today we think of Heinrich Schenker, who lived in Vienna from 1884 until his death in 1935, as the most influential music theorist of the twentieth century. But he saw his theoretical writings as part of a comprehensive project for the reform of musical composition, performance, criticism, and education-and beyond that, as addressing fundamental cultural, social, and political problems of the deeply troubled age in which he lived. This book aims to explain Schenker's project through reading his key works within a series of period contexts. These include music criticism, the field in which Schenker first made his name; Viennese modernism, particularly the debate over architectural ornamentation; German cultural conservatism, which is the source of many of Schenker's most deeply entrenched values; and Schenker's own position as a Galician Jew who came to Vienna just as fully racialized anti-semitism was developing there. As well as presenting an unfamiliar perspective on the cultural and political fer

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Book Details

ISBN: 9780195170566
ISBN-10: 0195170563
Format: Hardback
(242mm x 160mm x 28mm)
Pages: 368
Imprint: Oxford University Press Inc
Publisher: Oxford University Press Inc
Publish Date: 11-Oct-2007
Country of Publication: United States

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Author Biography - Nicholas Cook

Nicholas Cook is Professor of Music at Cambridge University. He is the author of articles and books on a wide variety of musicological and theoretical subjects (his Music: A Very Short Introduction has been translated into ten languages). He was elected Fellow of the British Academy in 2001.

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