The year 2006 marked the centenary of the birth of Nobel-Prize winning playwright and novelist Samuel Beckett. To commemorate the occasion, this collection brings together twenty-three leading international Beckett scholars from ten countries, who take on the centenary challenge of "revolving it all": that is, going "back to Beckett"-the title of an earlier study by critic Ruby Cohn, to whom the book is dedicated-in order to rethink traditional readings and theories; provide new contexts and associations; and reassess his impact on the modern imagination and legacy to future generations. These original essays, most first presented by the Samuel Beckett Working Group at the Dublin centenary celebration, are divided into three sections: (1) Thinking through Beckett, (2) Shifting Perspectives, and (3) Echoing Beckett. As repeatedly in his canon, images precede words. The book opens with stills from films of experimental filmmaker Peter Gidal and unpublished excerpts from Beckett's 1936-37 German Trav
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Author Biography - Linda Ben-Zvi
Linda Ben-Zvi is Professor of Theatre Studies, Tel Aviv University and Professor emerita, English and Theatre, Colorado State University. Among her twelve books are Susan Glaspell: Her Life and Times (Oxford UP, 2005). She is a recipient of the George Freedley Special Jury Prize, Theatre Library Association, and was a John Stern Distinguished Professor at Ciolorado, Fellow at the Library of Congress, the National Endowment for the Humanities, Lady Davis Professor at Hebrew University, and twice elected President of the International Samuel Beckett Society. Angela Moorjani is emerita professor of modern languages and linguistics (French) at the University of Maryland-UMBC. Her many studies of Samuel Beckett and the aesthetic and ethical effects of melancholy in literature and the arts include the postructural Abysmal Games in the Novels of Samuel Beckett (1982), The Aesthetics of Loss and Lessness (1992) and Beyond Fetishism (2000).