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This book is among the first to examine French opera and ballet criticism during the first half of the nineteenth century both as a historical and a literary phenomenon. It thus provides a new and badly needed perspective for scholars and other commentators who have often been willing to treat the journalistic responses to such musical genres chiefly as a simple source of factual information. The essays, taken from a conference in Oxford in 1996, explore the kinds of problem encountered and the types of methodology that might be employed in trying to interpret these critical responses; they throw light on such aspects as the cultural attitudes underlying the writers' rhetoric, the aesthetic stances and ideological agendas at play, and how modes of production influenced content.

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Book Details

ISBN: 9780198166979
ISBN-10: 0198166974
Format: Hardback
(242mm x 163mm x 20mm)
Pages: 282
Imprint: Oxford University Press
Publisher: Oxford University Press
Publish Date: 14-Jun-2001
Country of Publication: United Kingdom

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