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The Roman Noir in Post-War French Culture offers a lively introduction to the post-war French roman noir from a cultural studies perspective. A populist and widely disseminated genre, the French roman noir has suffered from a reputation as a minor genre with its roots in American popular culture. In this study, Claire Gorrara challenges such preconceptions and examines how selected writers have appropriated the roman noir as a critical response to formative concerns and debates in post-war French society. Starting with the first truly French roman noir, Leo Malet's 120 rue de la gare (1943) and concluding with Maud Tabachnik's feminist thriller Un ete pourri (1994), Gorrara analyses both texts and film in relation to their specific historical and cultural context. From the heritage of the Second World War and France's wars of decolonisation to the rise of consumer culture and questions of gender and sexual equality, the roman noir operates in dialogue with its times, mediati

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Book Details

ISBN: 9780199246090
ISBN-10: 0199246092
Format: Hardback
(223mm x 145mm x 16mm)
Pages: 148
Imprint: Oxford University Press
Publisher: Oxford University Press
Publish Date: 6-Feb-2003
Country of Publication: United Kingdom


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Author Biography - Claire Gorrara

Claire Gorrara is Senior Lecturer in French at Cardiff University. She is author of French Women's Writing and the Occupation in Post-1968 France (Macmillan, 1998) and co-editor of European Memories of the Second World War (Berghahn, 1998) and France Since the Revolution: Texts and Contexts (Arnold, forthcoming 2003).

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