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Why should a poet feel the need to be original? What is the relationship between genius and apprenticeship? James Fenton examines some of the most intriguing questions behind the making of the art - issues of creativity and the 'earning' of success, of judgement, tutorage, rivalry, and ambition. He goes on to consider the juvenilia of Wilfred Owen, the 'scarred' lines of Philip Larkin, the inheritance of imperialism, and issues of 'constituency' in Seamus Heaney. He looks too at Marianne Moore, Elizabeth Bishop, Sylvia Plath, and their contrasting 'feminisms', at D. H. Lawrence, 'welcoming the dark'. The climax of the book is his superb and extensive discussion of Auden.

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Book Details

ISBN: 9780199261390
ISBN-10: 0199261393
Format: Paperback
(215mm x 138mm x 15mm)
Pages: 276
Imprint: Oxford University Press
Publisher: Oxford University Press
Publish Date: 20-Feb-2003
Country of Publication: United Kingdom

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Author Biography - James Fenton

James Fenton is one of the country's most acclaimed poets and author of The Memory of War and Children in Exile (1983) and the Whitbread Prize winning Out of Danger (1994). Formerly a critic for New Statesman and The Times, and for many years a far east correspondent for The Independent, Fenton succeeded Seamus Heaney as the Oxford Professor of Poetry in 1994.

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