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Killing the Messenger has long been a popular resource for readers eager to experience the best media criticism of the past century. Selections are chosen from magazines, journals, official reports, public speeches, and books that have been long out of print and cover a range of issues: the inadequacy of the press to police themselves, the importance of ethics and training, the problem of bias and sensationalism, and the threat of censorship. Pieces by Theodore Roosevelt, Louis Brandeis, Joseph Pulitzer, Upton Sinclair, Spiro Agnew, George Seldes, and John Hersey, among others, are now joined by A. J. Liebling's early warning of the dangers of media consolidation, Will Irwin's analysis of journalism's growing power and pervasiveness, Daniel P. Moynihan's look at the changing relationship between the press and the presidency in 1971, Robert Darnton's essay on creative license, and Leo C. Rosten's statistical survey of the sociological makeup of newspaper correspondents in 1930s Washington and the effect of a journalist's "psychology" on the character of his reporting. Killing the Messenger serves as a valuable reminder that criticizing the press is an old and invaluable tradition in our country and that many of today's issues have their roots in these fascinating and provocative examples of early criticism.

Buy Killing the Messenger book by Tom Goldstein from Australia's Online Bookstore, Boomerang Books.

Book Details

ISBN: 9780231118330
ISBN-10: 0231118333
Format: Paperback
(229mm x 152mm x 14mm)
Pages: 304
Imprint: Columbia University Press
Publisher: Columbia University Press
Publish Date: 9-Mar-2007
Country of Publication: United States

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Author Biography - Tom Goldstein

Tom Goldstein has been a journalism professor for more than two decades and has served as dean of the schools of journalism at Columbia University and at the University of California at Berkeley. He worked as a reporter at several newspapers, including the Wall Street Journal and the New York Times, and is the author of The News at Any Costand A Two-Faced Press.

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