Description - Visualizing Theory by Lucien Taylor
Visualizing Theory is a lavishly illustrated collection of provocative essays, occasional pieces, and dialogues from the journal Visual Anthropology Review . It contains contributions from anthropologists, from cultural, literary, and film critics, and from imagemakers themselves. Reclaiming visual anthropology as a space for the critical representation of visual culture, Visualizing Theory is a major intervention into this new and growing field. Covering a vast and heterogeneous field, Visualizing Theory contains essays on modernism and montage in a ethnography and film; on paranoiac space and exilic subjectivity; on films and memory; virtual reality and dis-appearing worlds; Indigenous Media and the lure of authenticity; ethnographic film and cine-ipsography; the disenchantment of the eye and the Surrealist crisis of ocularcentrism; on modernity and its resurgence of mimesis; on Dziga Vertov and the perceptual reconstruction of social identity; African tourist art and its simulations of postmodernity; and on the work of such imagemakers as Victor Burgin, David MacDougall, Jean Rouch, and Trinh T. Minh-ha.
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(229mm x 178mm x mm)
Publisher: Taylor & Francis Ltd
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Author Biography - Lucien Taylor
Editor of V.A.R., Lucien Taylor is a filmmaker and photographer living in Berkeley, California. His two most recent productions, co-directed with Ilisa Barbash, are Made in U.S.A., a film about sweatshops, child labor and homework in the Los Angeles garment industry, and In and Out of Africa, an ethnographic documentary about fakery, taste and racial politics in the African art market.