Description - Brazilian Popular Music and Globalization by Charles A. Perrone
This collection of articles by leading scholars traces the history of Brazilian pop music through the 20th century. It focuses on how traditional Brazilian musical styles have ben influenced by international popular music - including jazz, rock, and rap-to form new hybrid styles. Since the heyday of Carmen Miranda in the 1940s, Brazilian influences have been felt in the US, and this two-way street has resulted in an explosion of rich musical styles. The samba and bossa nova crazes that swept both countries are but two of the many examples of cross cultural influence. With today's emphaisi on Global Pop and World Music, there is a great interest in Latin American musical forms. For anyone interested in the history and scope of Brazilian music, this volume is a must read.
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(229mm x 152mm x mm)
Publisher: Taylor & Francis Ltd
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Author Biography - Charles A. Perrone
Charles A. Perrone (PhD Texas 1985) is Professor of Portuguese and Luso-Brazilian Literature and Culture at the University of Florida. He is the author of Masters of Contemporary Brazilian Song: MPB 1965-1985 (Texas, 1989), Seven Faces: Brazilian Poetry since Modernism (Duke, 1996) and translators/editor of several books. He lives in Jacksonville, FL.Christopher Dunn (Ph D Brown 1996) is Assistant Professor at Tulane University, where he holds a joint appointment in the Department of Spanish and Portuguese and in the African and African Diaspora Studies Program. He is the author of a forthcoming book on the Tropicalist movement in Brazil and a contributor to Encarta on Afro-Brazilian topics including new popular music. He lives in New Orleans, LA.