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This 1992 book analyses the relation between an emergent modern subjectivity in seventeenth-century French literature, particularly in dramatic works, and the contemporaneous evolution of the absolutist state. It shows how major writers of the Classical period (Corneille, Racine, Moliere, Lafayette) elaborate a new subject in and through their representations of the family, and argues that the family serves as the mediating locus of a patriarchal ideology of sexual and political containment. Most importantly, it asks why the theatre became the privileged form of representation in this state, and why this theatre concentrates almost exclusively on family conflict. Professor Greenberg argues that the narrative of oedipal sexuality and subjugation central to this new literary canon reflected the conflicting social, political and economic forces that were shifting European society away from the universe of the Renaissance and guiding it towards the 'transparency' of Classical representation.

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Book Details

ISBN: 9780521032308
ISBN-10: 052103230X
Format: Paperback
(216mm x 138mm x 15mm)
Pages: 256
Imprint: Cambridge University Press
Publisher: Cambridge University Press
Publish Date: 14-Dec-2006
Country of Publication: United Kingdom

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Author Biography - Mitchell Greenberg

Mitchell Greenberg is Goldwin Smith Professor of Romance Studies at Cornell University. He is the author of several books on seventeenth-century French literature and culture. Greenberg uses contemporary critical theories, particularly Freudian and post-Freudian approaches, in the interpretation of early modern texts.

Books By Author Mitchell Greenberg

Racine by Mitchell Greenberg


Paperback, December 2009
Corneille, Classicism and the Ruses of Symmetry by Mitchell Greenberg

Corneille, Classicism and the Ruses of Symmetry

Paperback, November 2009