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The Italian Renaissance produced a new type of stage comedy, experimental and even revolutionary in its time, by copying and updating the dramatic formats of Plautus and Terence from ancient Rome. These scripted comedies, first written and performed for private audiences, ranged in tone from sober moralism to scurrilous farce, and influenced European dramatists from Shakespeare to Moliere and Lope de Vega. This book gives an account of how the new dramatic experiment was born and grew, moving from closed courtly audiences to a wider public. It examines the performing values of these scripts rather than their literary qualities, in order to demonstrate their links with improvised commedia dell'arte, and thus explores a crucial phase in the development of European theatre. It will be of interest to scholars and students in both theatre history and Italian studies.

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Book Details

ISBN: 9780521353571
ISBN-10: 0521353572
Format: Hardback
(228mm x 152mm x 22mm)
Pages: 316
Imprint: Cambridge University Press
Publisher: Cambridge University Press
Publish Date: 22-Apr-1993
Country of Publication: United Kingdom

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